Heartstopper, Series 1, Episode 2: “Crush”

“You’re just good at everything. You’re a proper little nerd. You’re good at video games, literally all school subjects but especially maths, playing the drums, befriending dogs, and you are good at sports! You run so fast!”

As we move into the second episode of Heartstopper, “Crush,” the show is now able to take time to unpeel the layers of these incredible characters a little bit. Where the first episode necessarily focused heavily on painting broad brush strokes to capture each character’s prime traits through the creative use of framing characters in shots orchestrated with specifically chosen lights and colors, the second episode focuses on tinier, more intimate details of each character’s motivations through elegant, subtle, and carefully timed reactions, capturing the tiniest furrowed brow or the faintest hint of a smile, often unseen by anyone around them except the audience, which provides just enough of a knowing glance towards what someone is really thinking, despite what they’re actually saying, allowing the audience to be one step ahead of all the other characters. And the cast and their director, Euros Lyn, are all so talented in their abilities to conjure these exquisite moments seemingly effortlessly, creating characters we really believe could be entirely accurate reflections of reality.

The episode opens in Charlie’s bedroom with him practicing on his drum kit, a calm, steady, rhythmic pattern at first, as Nick is in his bedroom scrolling on his phone, looking at Charlie’s Instagram photos. He smiles ever so subtly at an image with Charlie and a cat. But then Charlie’s next photo reveals the dark school corridor leading to the rugby changing room with the subtitle, “hate this place,” and immediately Nick’s face turns white as he looks up from his phone, a look of worry in his eyes, a tiny wrinkle between his eyebrows, as he imagines Charlie being teased in that corridor, the screen turning dark, animations of anonymous boys crowding around him as Nick hears them taunt, “He’s so gross,” “What a weirdo,” “He’s such a loser,” and “I’d rather be dead than gay.” As the images and the dialogue intensify, so too does Charlie’s drum pattern, louder and louder, Nick imagining Charlie in that dark corridor on the verge of tears, Nick calling out to him.

It’s clear that Nick is thinking not only of how hard it must be for someone to be out of the closet but to also have to deal with an abusive boyfriend. He struggles to find the right text to respond to Charlie’s message from last episode, “Thank you x,” typing but not sending, “It’s okay!!” But the expression on Nick’s face is of frustration, as he knows that’s not what is the right thing to say, but he didn’t know it until he typed it. So he tries, “That seems like a kinda serious situation,” and then, “Please don’t talk to Ben anymore lol,” before finally settling on, “Are you feeling okay?” sending the message with a nervous, heavy sigh. We hear Charlie’s phone ding, he immediately stops playing the drums that have now reached their final, intense crescendo, and grabs his phone which was clearly placed in plain sight by his feet as if he was waiting for Nick’s response, the ever growing drum pattern simultaneously representing Charlie’s frustration as he waits for Nick’s response as well as Nick’s growing concern for Charlie’s safety and how to respond to his message.

As I mentioned in my reaction to the first episode, this is all another example that again demonstrates how adept this show is at presenting a lot of information in a short period of time, a seemingly simple series of images and reactions enhanced by some diegetic music, all immediately intelligible to the audience despite how much we see in a short space of time. Within a minute and half of this episode, we learn that Nick really is a warm and caring individual, something that was suggested when we first saw the camera focus in on him in episode one, sitting at his desk, lit by a glowing sunbeam, prismatic rainbows radiating outwards. But now we see this character trait reinforced by Kit Connor’s reliably masterful acting as well as by how the scene is edited together to show Nick’s various drafts of his text messages to Charlie, an efficient way for the audience to get to know how Nick’s mind works and what he’s thinking.

And this highly crafted scene continues with this attuned attention to detail, capturing subtle facial reactions to texts, performed with equal aplomb by Joe Locke. These text message conversations—a staple of the series—are really a quite remarkable way to present dialogue in a refreshing way, as we get to see characters try out drafts of what they want to send before they send a curated message, and we see their raw and unedited facial reactions to texts since there’s no one around that might cause them to adjust how they hold their face. For example, Charlie’s response to Nick’s question is, “Yeah, I’m fine, don’t worry,” but the reaction in Nick’s face is clearly one of incredulity, something the audience sees but Charlie doesn’t. So the audience knows that Nick doesn’t believe Charlie, but Charlie doesn’t necessarily know that Nick doesn’t believe him. So instead we get to witness Nick coaxing information out of Charlie until he finally catches up with Nick and the audience and divulges how his relationship with Ben started and why it ended so badly. Nick is clearly so appalled to learn how horrible Ben is that he texts back that Ben’s not his friend anymore.

This touching scene ends with Charlie sending Nick a heart emoji when Nick says he’ll look after Charlie if Ben ever comes near him again. The look on Nick’s face, one of cautious hope and alluring warmth peppered with the faintest hint of confusion about what he’s feeling with Charlie (a confused feeling that will come to a head at the episode’s conclusion), is worth a thousand words, as they say (and I’m quite good at finding several thousand words). But Charlie doesn’t get to see Nick’s reaction, and he’s left to wonder what Nick is thinking while the audience has a pretty good idea of what’s starting to happen. Yet I felt such a loneliness for Charlie in that moment, Joe Locke’s superbly subtle, wordless performance capturing Charlie’s inner frustration that Nick can only be his “supportive straight friend,” but the audience already knows that Nick seems to be more than that, and we can’t wait for Charlie to catch up with us when he also gets to learn what’s actually motivating Nick’s desire to get to know him better.

The episode moves on to allow us more time to get to know Elle, who we met ever so briefly last episode. Recall that she is transgendered and left Truham in order to go to Higgs Girls School to escape bullying, one of the teachers at Truham even refusing to call her Elle. “Mr. Reed’s a massive transphobe,” Charlie remarked. In this episode, we first re-meet Elle as she’s walking to and taking a seat in her form classroom, the camera focusing its attention on two other young women at a different desk who we’ll later find out are Tara (Corinna Brown) and Darcy (Kizzy Edgell), and who Elle also seems intrigued by.

Elle’s form teacher has noticed that she has yet to make any friends and suggests she could assign Tara to look after her. But after Elle says she’s fine, the teacher then asks her to promise to make at least one new friend in the next couple of days before half-term. A montage allows us to witness time pass as Elle remains friendless in form, and during the montage we are treated to Yasmin Finney’s delicately underplayed and finely crafted ability to capture Elle’s inner thoughts with the slightest smile or the sweetest glance. A moment that sticks out to me is when Elle is staring into her form group, her face framed perfectly in a split-pane window, as she stares longingly to be friends with Tara and Darcy. It is such a lonely moment, but also a moment that can only lead to Elle finally becoming friends with Tara and Darcy. It is also an early example for the audience to witness Finney’s remarkable acting talent as she captures so much about a character in a single moment because of a subtle, longing glance. It’s the first exquisite glance of many that we’ll be treated to during the succeeding episodes, and each underplayed glance never fails to tell us so much about Elle through so little.

When we finally do get to see the first conversation between Elle and Tara, it’s when Tara comments lovingly about how cool her pencil case is, Elle revealing that she painted the charming flowers on it herself. “That’s so cool! I can barely draw stick figures!” Tara says, they both laugh, and then without another beat Tara asks, “Do you want to meet up for lunch with us today?” After Elle wonders if their form teacher cajoled Tara into reaching out to her, Tara says she didn’t, and it all seems believable, Elle’s slightest smile revealing feelings of inner hope and warmth that things continue to get better at her new school.

This hope is reaffirmed when Elle has lunch with Tara and Darcy for the first time, and the chemistry between the three of them is absolutely remarkable. The casting of this whole series has been remarkable, frankly, and it’s clear that not only are we witnessing a cast of close-knit friends in a fictional series who care deeply for each, we’re also being invited into the lives of real-life friends who also love working and being with each other. “Best gal pals,” Darcy describes her friendship with Tara, Tara providing just the slightest knowing glance towards Darcy not to reveal too much yet (an anxiety within Tara that will be clarified better later in this episode and which will come to a climax in episode six). But Darcy’s warmth in her comment cements that soon—if not already—the cast has a trio of best gal pals.

When we return to Nick and Charlie’s story, we see Charlie, Isaac, and Tao in study hall, Charlie scrolling through his phone, re-reading texts from Nick (“Anywayyy I have to sleep now… it’s so late haha,” Nick texts at one point after suggesting they need to play Mario Kart together). The look on Charlie’s face is of quieted infatuation, and even if Charlie scrolling through the texts is too fast for us to notice that Nick at one point writes, “I like talking to you,” the charmed expression on Charlie’s face is enough for us to know that he’s already starting to sense that Nick might be more than just a supportive straight friend. But Isaac and Tao tut and dismiss Nick as a “massive” and “ginormous heterosexual,” but Charlie is undeterred, stating that masculine men can be gay or even bisexual, foreshadowing revelations to come. While Tao’s insistence that Charlie needs to get over him is a moment of cold, tough love, it’s coming from a place of deep care for his friend’s wellbeing. “Be careful!” Tao told Charlie last episode. Tao’s distrust of the rugby boys is something that will continue to insert conflict into the plot, reaching a heartbreaking climax in episode seven, and it’s at once so sad to witness but also a necessary element of the story to show how much Tao cares for Charlie’s feelings and his safety.

Later on, Nick is showing pictures of his dog, Nellie, to Charlie, and much to Charlie’s delight, he invites him around on Saturday to meet her. It’s so adorable seeing how nervous Charlie is as his finger anxiously shakes ever so slightly as it hovers over the doorbell, pausing a moment before he rings it. But his nerves seem to dissipate immediately when Nick comes to the door, Nellie at his feet, and both of them get along like cards as they play Mario Kart, Nick commenting how he’s so good at not only video games but also maths, music, and running, Charlie struggling to find a way to accept the compliment.

We next are treated to one of those moments I promised would appear in each episode, a moment that “persistently champions a promise of a hopeful future where things will get better, providing a vision for the way things ought to be.” Nick and Charlie notice that it’s started snowing, and so they both go out with Nellie to enjoy it, throwing snowballs, making snow angels, catching snowflakes on their tongue, and lying next to each as the the snow continues to fall, the camera pulling back away from the ground as they lie next to each other while those characteristic animations of the show appear, this time as heavy snowflakes that augment the real ones we see on the screen. We’re also treated to another one of those subtle reaction shots, this time of Charlie staring lovingly towards Nick as they lie in the snow together, while enchanting music by Beabadoobee, “Dance with Me,” plays, the words echoing the visuals with lyrics like, “But I think I really like you.” This lovely, lovely moment that makes me feel just so, so happy imprints an indelible memory within me, and it’s a memory that imprints on both Charlie and Nick as we’ll later see in episode five.

We at last eventually get to see our quartet of best friends all interact together in person, when Tao calls an “emergency Charlie meeting” between Elle, Charlie, Isaac, and himself. They all want to get to the bottom of Nick’s sexuality, as Tao has heard that Nick likes a girl, and he only found this out because he was sweetly asking around for Charlie to see if Nick is available. Seeing the four characters interact together is a real delight, as they all clearly care deeply for each other. “I wanna believe in romance!” Isaac enthusiastically declares, hoping to discover that Nick likes Charlie back. The charming scene ends with the four of them getting together for a group hug, even Tao joining in who is hesitant at first. But it’s just so heartwarming to watch a television show about four really good friends from diverse backgrounds who want to make sure everyone is okay.

The girl in question that Nick apparently likes, of course, happens to be Tara Jones, who Elle has just become friends with, and so Tao, Isaac, and Charlie ask her to find out if Tara is interested in Nick. Elle is thrown the best bone ever when she is in French class with Tara and Darcy, and they are assigned to practice asking questions about each other. “Vous avez un petit ami?” she asks Tara, and Tara responds, “Non, je n’ai pas de petit ami.” And then Tara and Darcy both knowingly laugh, “What? It’s true!” Tara says, “I know it is!” Darcy responds. We are treated to some more lovely, subtle glances from Elle as she cautiously sizes up Tara and Darcy as more than just “best gal pals.” Later on, Elle confirms without a doubt that Tara and Darcy are both in a relationship (“You’ve befriended the school lesbians!” Darcy exclaims to Elle), but that it’s not really public information yet. Later on, Charlie is ecstatic that there’s no chance of anything happening between Nick and Tara, Elle carefully not revealing the reason why.

The episode reaches its conclusion when Nick comes by Charlie’s house where it becomes clearer and clearer that Nick is so obviously more than just a supportive straight friend. In another scene that just makes me feel such happiness, Nick and Charlie are both on the couch watching television, the hopeful, optimistic music of series composer Adiescar Chase underscoring this touching moment. Charlie is asleep, but Nick is awake and notices Charlie’s hand resting next to his knee, palm up. Nick nervously hovers his hand over Charlie’s, small animated fireworks lighting up the space between their two palms, an intense moment that expertly captures that feeling we all feel when we start falling for someone and feel a burning desire to make physical contact. Later on, when they have to say goodbye, Nick can’t resist but give Charlie a long, long hug. It is such a tender moment. This episode yet again finds a way to make me feel so, so happy that I don’t have enough room in my heart to keep the happiness all to myself. So I’m sharing it now with you.

There’s a final epilogue to the episode that transitions from exploring the absolute happiness that Nick feels for Charlie to the absolute terror that we queers feel when we realize who we are. I won’t dwell on it too much here, as episode three allows this moment more space. That said, when Nick is back home all alone in his bedroom, admiring photos of Charlie in the snow, he grabs his computer and goes to Google and types in “Am I gay?” The fear in Nick’s face is palpable before he even presses return on his keyboard, and his fear is a reflection of so much fear we queers feel everywhere, a moment that accurately reflects a very real realty. And while this episode ends on a sobering note, it’s necessary for this series to address these challenges we queers face. But it is all done with such delicate sensitivity and such loving care that it is clear that in the end—through all the debilitating pain, lonely suffering, and overwhelming adversity—things will get better… and hope, happiness, friendship, and love will prevail.

Final musings for episode 2:

  1. When Nick is texting Charlie about how Ben is no longer his friend, Nick types, “If [Ben] ever comes near you again I’ll kick his ass.” I must concede that the use of the word ass could be a situation of American slang catching on in British English, but I’m more inclined to believe this is the first example of several (I’ll be sure to point the other examples out as as they appear) of a British programme (i.e. show) dumbing things down for Americans. In other words, I would have expected Nick to type arse instead of ass, but maybe ass is catching on in the UK. I couldn’t really tell when I did a bit of research on the use of ass versus arse, but if anyone knows for sure or if I’m being pedantic, please comment below. (I’m probably being pedantic.)
  2. Rainbows again appear throughout this episode as they did in episode one when we first met Nick, this time in episode two when we initially see an establishing shot of Higgs Girls School, a rainbow streaking across the sky, and then again when Charlie is outside Nick’s house. Nick’s house is lit up in another sun beam, recalling the warm light that lit up Nick in his establishing shot last episode, while a sunbeam creates a prismatic rainbow next to Charlie. These are lovely little visual touches that further demonstrate the delicate care everyone brings to creating this amazing show.
  3. When Elle meets up with Tara and Darcy for the first time at lunch, Darcy gives Elle a Monster Munch, which is a British junk food: baked corn shaped into paws that come in flavors like roast beef, pickled onion, and flamin’ hot. I’ve had various British junk foods like Wine Gums and Jelly Babies, but now I’ll need to make sure to try a bag of Monster Munch next time I’m over there.
  4. The scenes between Charlie and his mentor and art teacher, Mr. Ajayi, are a delight to watch, the sage-like wisdom of Mr. Ajayi attempting to temper the distracted dreamings of a young, infatuated teenager. “I am officially a beacon of learning,” Mr. Ajayi describes himself, but we didn’t need him to say that aloud in order to understand it’s true, another example of this show being so adept at showing a character’s motivations before we’re explicitly told.
  5. When Isaac, Charlie, and Tao are working on homework in class, Charlie says that Nick told him he was straight. I wasn’t sure if that revelation was a moment unshown on screen or if he was referring to the text exchange we saw early in the episode where Charlie writes, “Thank you for being my supportive straight friend haha,” and Nick responds, “Lol that’s okay!!!” Nick’s response is rather a non-answer to his sexuality, though, so I’m tempted to believe that Charlie is just inferring too much in order to try to help him get over his crush.
  6. Jenny Walser as Tori, Charlie’s sister, continues to delight. Two episodes in a row now, it’s clear the running gag with Tori is that she has a knack for appearing out of thin air while sipping on a drink with a straw, startling a distracted Charlie. Walser’s deadpan delivery of lines like, “It looks the same,” when Charlie asks how his hair looks, or “I don’t think he’s straight,” after witnessing Nick hug Charlie for several seconds, are just some lovely moments of a brother/sister relationship that slowly reveals itself to be as close as ever as the episodes progress.
  7. We get to see more of Olivia Colman this episode as Nick’s mom, and it’s always such a delight whenever we get to have a scene with her and Kit Connor. Colman as usual delivers a superb performance of an observant, caring mother who enjoys seeing how Nick has made friends with Charlie, someone who’s quite different from his other friends and around whom Nick seems to be able to be more like himself, as if Charlie allows a part of Nick that is buried to emerge.
  8. We also get to meet Imogen (Rhea Norwood), a bubbly young girl who is friends with Nick, and who we’ll get to know a little better in episode three.
  9. How cute is it when Nick and Charlie are saying goodbye after hanging out at Charlie’s house, and Nick admires Charlie wrapped in a blanket, commenting, “You look so cuddly like that!” I think Tori’s right: doesn’t seem like a straight boy to me either.

Heartstopper, Series 1, Episode 1: “Meet”

“What sort of boy do you want to go out with? Someone who’s also a nerd or do you want an opposites-attract thing?”

I’ll get straight to the point. I absolutely adore Heartstopper. I don’t think I’ve fallen in love with a show as hard as I have Heartstoppper since Community. Community transfixed me immediately, and I discovered it when seasons 1-3 had already been released. I binged on all 71 episodes, got to the end of season 3, then immediately started with season 1 episode 1 all over again. And I’ve since watched those first three seasons over and over so many times I’ve lost count.

And now Heartstopper is transfixing me in a similar way. Upon my writing this, I’m re-watching its current eight episode run a fourth time through, and it was released just a little over two weeks ago. I’m obsessed. So obsessed that I felt compelled to write about this amazing show and why I like it so much.

I don’t want to draw too many parallels between Community and Heartstopper, as they are two very different shows, but they do share some important similarities. Both shows feature a core cast of outcasts trying to figure out their way in the world; both take place in a school, one at an American community college and the other at British grammar schools; and both feature a diverse cast. I’m often drawn to shows like this, with Freaks and Geeks another notable example and a progenitor of this type of television drama.

The outcasts of Heartstopper are 14- and 15-year-old kids who are all trying to figure themselves out, who don’t quite fit into what’s necessarily popular, and who all have the largest and most brilliant hearts of gold, who—through all the disagreements, misunderstandings, and arguments—are able to acknowledge their faults, change their habits, express their love, and just be so terribly, genuinely, and thoughtfully friendly to each other. Every episode ends and I’m left just feeling so hopeful that despite all the horror that happens in this messed-up world that maybe—just maybe—we might all be able to get along after all.

Each episode of Heartstopper is also so expertly crafted to the highest degree: it shows when it doesn’t need to tell, and when it does tell, it is through finely crafted dialogue that creates believable and consistent characters; it weighs each scene with its proper due before cutting to the next; it uses light and color with such sensitivity as to paint each character’s motivations before we even hear them speak. The opening scene, for example, sees our geeky, lanky, curly-haired hero, Charlie Spring (Joe Locke), walking through the halls of Truham Boys School, smile on his face as he reads an Instagram message on his phone from someone called Ben: “Can’t wait to see you x.” Charlie continues to make his way through the colorful hallways of the school as upbeat music by Baby Queen plays. We see someone take down Christmas decorations which is all we need to see to alert us that it must be January. But eventually Charlie finds himself in the dark, shadowy, deserted school library. “Ben?” he asks the room, only to discover that Ben sent him a second message requesting to meet up later. Charlie struggles to type in a response, “Okay,” with a smiley and heart emoji, his face suddenly drained of happiness.

It seems a simple series of images and events, but in the space of just over a minute into the first episode we learn with no dialogue that Charlie seems confident that he knows who he is and he has a colorful personality, but something already doesn’t seem quite right with Ben. Ben is shadowy and secretive where Charlie is bright and assured. It’s clear that Ben and Charlie are not on the same page, and we haven’t yet even seen the two of them speak words to each other let alone appear in the same room together.

Meanwhile in the next scene, when we get introduced to Nick (Kit Connor), the other hero of the series, we instead are told through words that he’s a year older than Charlie and that he’s the star rugby player on the school’s team. After Charlie hears this from his teacher to discover that that’s who he’s going to sit next to in form—after having just been rained upon by Ben—we can see the frustration grow on Charlie’s face. However, when the camera pans to the direction of Nick, students moving out of shot to show him sitting at his desk, the camera focusing, a sun beam lighting Nick up in a warm hue, prismatic rainbows appearing to emanate from his comforting face, we immediately feel reassured by Nick’s presence. Tastefully animated colorful leaves wisp across the screen (another signature visual technique of this series), suggesting Charlie’s imagination getting lifted away in the wind as he makes his way to Nick, a giant smile on his face erasing all memories of his frustrating morning, and both boys exchange nervous greetings of hi, the first of countless exchanges of such a simple word that will take on new and deeper meaning as the series progresses. But even though we were told one thing about Nick, the visuals tell us something else entirely. Nick isn’t the average macho star rugby player but someone else more gentle and warm. The scene is also enriched by the music of series composer, Adiescar Chase, whose soft, sometimes poppy, electronic soundtrack creates a soundscape that is cautiously hopeful yet is seasoned with subtle shades of melancholy and doubt.

It makes sense that a show like Heartstopper would be good at showing the story through vibrant images rather than telling through the limitations of words, as the television series is based on a series of graphic novels by Alice Oseman, she too also writing the TV series. At points throughout the episode, for example, the camera uses splitscreen to show various camera angles of the same scene or of two different locations entirely, each vantage separated by white bars, chopping the screen into the characteristic panels of a graphic novel. It’s a very simple technique to allow us to thoroughly process a lot of information in a short space of time, and a lovely homage to the source material itself. And while this is a clever visual technique that allows Heartstopper to show rather than tell, we will also still discover that the writing is just as masterful as the visuals themselves, limitations of words and all.

And while the words used to describe Nick might suggest he is not an outcast to compliment an entire cast of outcasts, the visuals suggest that there might be something deeper within Nick that has been buried and is as yet unseen. That said, when we meet Charlie’s friends it becomes especially apparent that—a least for now—most of the cast is properly an outcast. At lunchtime, we meet Tao (William Gao) and Isaac (Tobie Donovan). Where Isaac is often quiet with his nose in a book, Tao is outspoken and unafraid to express his opinions, something that will get him into trouble later on in the series. He describes the trio as a group of outcasts, telling Charlie that he’s crazy to think Nick would be different from any other rugby player since he’s the star of the team and is friends with a bunch of “loud, gross, year 11s.” Charlie seems undeterred, seeming to sense something different about Nick, just as we did when we first met him in form. This whole conversation is so expertly written and directed; in a few short exchanges and a few underplayed facial reactions, Tao pressing Charlie to, “Be careful!” with Nick, we learn that while this group might be outcasts, they love and care deeply for each other.

The remaining character to meet during this episode to fill out the core cast of heros—at least for now—is Elle (Yasmin Finney), who is a young, transgendered woman who recently transferred to the nearby Higgs Girls School to escape bullying. Tao clearly holds a fondness for her (“You’re allowed to miss her,” Charlie supportively remarks), as he’s been buying two bottles of apple juice all week, forgetting that he and Elle can no longer share lunch together. Since the first episode mainly revolves around Charlie and Nick, we sadly don’t get to see much more of Elle this episode, and we learn only that she has yet to make friends at her new school. But the series will eventually—with one notable exception—give each main character their due. And lastly, I am so grateful that we have a Black trans woman represented on the show who is herself played by a Black trans woman.

As the episode progresses, and as Elle’s introduction reinforces, we are reminded that we still live in a world where queers are ridiculed and feel the need to hide who they really are out of fear of becoming outcasts. When we eventually do see Charlie meet up with Ben (Sebastian Croft), it is hidden away in the music room. And while Ben and Charlie do get to share a kiss, when it is over, Ben straightens up, wipes his lips dry with the back of his hand, and requests that they still keep it all a secret.

And then later, as Charlie and Nick are walking to maths (a great scene that shows the incredible chemistry Joe Locke and Kit Connor already share as Charlie badgers Nick for being chaotic, doing his homework on the way to class, and Nick remarking that that makes him sound much cooler than he actually is), Charlie says hello to Ben as they were all passing each other in the corridor. Ben coldly tells Charlie, “Why are you talking to me? I don’t even know who you are.” And while Ben will apologize to Charlie in a later scene, it’s disingenuous, and Charlie knows it, as he later hides in the art room during lunch, offloads on Mr. Ajayi (Fisayo Akinade), his mentor who is also gay, and who says that he’ll need to talk to Ben, as difficult as that is since he knows how hard it is for Charlie to be honest (at least Charlie is confident he knows he has a hard time being honest). I also felt such loneliness for Charlie when he said he can’t even talk about these sorts of things to his friends, because they wouldn’t understand since they’re not gay. This loneliness is real in far too many of us queers, especially when we’re young, and that reality is meaningfully reflected in that seemingly innocuous comment as well as in Ben’s unwillingness to even associate openly with an out gay boy.

Queers also go to incredible lengths to hide themselves, as later Charlie catches Ben at the school gate kissing a girl. This ends up being the final straw for Charlie who later breaks up with him via some Instagram messages. I found myself cheering Charlie on during this scene while also empathizing a little bit with Ben who struggles to be out of the closet. This is an arc that will continue to play out throughout the rest of the next seven episodes as it addresses the pains we queers feel about the need to lie about ourselves.

Eventually, Charlie unexpectedly finds himself being invited to play on the rugby team after Nick saw how fast Charlie could run during P.E. class. Before Charlie even gets to prove himself to the rest of the boys on the team, he overhears them making disparaging comments about him, that he’s so small they think he’s in year 8, that he can’t play, that he doesn’t like sports, and that everyone knows he’s gay. In due time, however, as Charlie learns how to play rugby and gets better and better, the whole team does seem to warm to him (seem the operative word), but this is another arc that will continue to play out for the rest of the series, coming to a heart-wrenching climax in the penultimate episode.

The episode soon progresses to its conclusion. Following one of the rugby practices, Nick notices that Charlie seems distracted, and so secretly follows him to the music block where he’s meeting up with Ben, who wants to talk to Charlie about why he broke up with him. During an intensely real conversation, Charlie is able to express that it’s fine if Ben needs time to come out but that he still needs to treat him like a human when others are around. Ben grossly tries to force Charlie to kiss him in a legitimately rapey moment, but one of our heroes, Nick, springs out from the corner and forces Ben away from Charlie and tells Ben to piss off.

Nick takes a moment to make sure Charlie is okay, but Charlie only says he’s sorry. “You have nothing to be sorry about,” Nick says, “Sorry,” Charlie responds, to which Nick comments, “You say sorry a lot.” Nick stops Charlie from saying sorry a third time, but Charlie brightens a bit with a subtle smile and remarks, “I kinda wanna say it.” This “s-word,” as Nick will label it in episode seven, will become a recurring trope, reminding us of Nick and Charlie’s first, shared, vulnerable encounter together.

The two young men—two opposites commencing an unexpected journey together—eventually bid farewell at the school gate, and Charlie is beaming. Later, he struggles with what to text Nick, settling on “thank you x.” Nick reads it as his mother drives him home, and he begins beaming himself, animated seagulls taking flight across the screen, cleverly foreshadowing the concluding moments of the entire first series in episode eight.

These last few scenes culminated in such a touching moment. And it’s the first such touching moment of so many. And each episode this series will receive a moment like this that persistently champions a promise of a hopeful future where things will get better, providing a vision for the way things ought to be. And it’s probably the main reason I love this show so much: its themes and messages of indestructible hope, unwavering friendship, and enduring love defying the sarcastic shrieks of the seemingly insurmountable odds of gross bullies, ugly bigotry, appalling injustice, and fanatic evil.

And what a masterpiece this first episode is! The carefully crafted colors of each scene, the delicately chosen words of each moment, the beautiful use of vibrant animations, the carefully framed shots, the thoughtful editing of each succession of images timed to a glorious cadence and gentle choreography, all culminating in flawless television. This episode sets a high bar for others to follow, but each successive episode never disappoints and each one continues on with a determined confidence and a steadfast purpose to deliver some of the greatest television I’ve ever seen. This show just makes me feel so happy and so hopeful that I don’t have enough room in my heart to keep it all to myself. Please watch it and prepare yourself to be whisked away to a world filled with incredible human beings trying to make the best of it.

Final musings for episode 1:

  1. After all that excessive praise, I do want to make note of a glaring elephant, and probably the only bit of notable irritation I have with this series. While we do have an amazing cast of diverse characters featuring a Chinese straight boy, a Black trans girl, a white straight boy, and—later on—a Black lesbian and her white girlfriend, the two leads are white, cis-gendered boys, one gay and one questioning. This is by no means a fatal flaw to the series, but it is something that is glaringly obvious and difficult to ignore. At the same time, this show is still remarkably diverse, and I am still so grateful that we have a trans character represented on the show. It’s a long overdue step in the right direction.
  2. As I referenced throughout, the series creatively uses text messages to express dialogue, the kids frantically thumbing their phones as they type messages to each other that appear to the audience on our screen, complete with the character’s Instagram avatar. It also helps us to see the characters’ inner thoughts as they write one message, delete it, find a different way to express something, groan as they delete that, and then finally type a curated draft of their thoughts. For example, when Charlie breaks up with Ben via Instagram messages, he first types “Do you have a girlfriend?” then deletes and types, “I HATE YOU!!!” and then deletes and finally sends, “I don’t want to meet up anymore.” It’s an efficient way to show all the feelings and confusion Charlie was sensing in that moment.
  3. Another trademark technique the show uses in addition to small animations of birds and leaves wisping across the screen, is to animate or colorize the whole screen when a character is fantasizing about or imagining something. For example, right before Nick asks Charlie to be on the rugby team, the entire screen turns shades of pink and rose petals float across the screen as Charlie imagines that Nick is about to tell him that he’s also gay and wants to be with him.
  4. We also get to meet Charlie’s sister, Tori (Jenny Walser), the morning after Charlie calls things off with Ben. While she is a supporting character, she’s a memorable character who leaves a lasting impression. Her no-nonsense attitude is a delight. When she finds out that Charlie broke up with Ben, she remarks, deadpan, “Was he a knob?” And when Charlie agrees that he’s a knob, she adds, “Well done then.” The next morning we get to see them riding the bus to school together, as Tori asks if Charlie wants to date another nerd or someone totally opposite, foreshadowing things to come. Both scenes are early tastes of what eventually is revealed to be a very close brother/sister relationship, even if Tori’s austere personality in her introductory scenes suggests something else.
  5. The headmaster of the boys school is never seen and only heard over the tannoy, but it’s unmistakably and immediately recognizably the famous voice of Stephen Fry.
  6. We only get to see her for a bit this episode as she drives Nick home from school, but the lovely, lovely Olivia Colman plays Nick’s mom. And as usual she’s absolutely glorious, even with just her three lines in this episode. We’ll get to talk more about Colman’s character as the series continues.
  7. And lastly, how cute is it that Tao—not Charlie—describes Nick as a golden retriever?

“¡Muchas gracias! ¡Adiós!” – unas vacaciones en Puerto Rico, día doce

Taking in one last glimpse of the ocean, a beer in hand (photo by Aaron Ziegler)

“You know, travel does broaden the mind!” Elisabeth Sladen exclaimed, holding back tears, as she played Sarah alongside Tom Baker’s Dr. Who. It was one of the last things her character said to her best friend, the Doctor, as she was leaving the TARDIS for a final time as a regular companion during the concluding moments of her swansong television serial, The Hand of Fear. Sarah is one of the most celebrated, fan-favorite characters to ever appear in Doctor Who, and her parting moments in the series are some of the most understatedly touching scenes, two best friends saying goodbye to each other while acknowledging a cliched truth, but a truth nonetheless.

And you know what? Travel does broaden the mind! And as triste as it is when unas vacaciones están finitas, I would never, ever stop traveling even though I know I will always feel such debilitating sadness whenever the next trip is over.

Our last morning in Jayuya was misty and slightly damp, just as it was on our first morning. Nuestra casa pequeña en las montañas se llama Monte Niebla, after all, and it was a fitting description of an impossibly gorgeous area of the island. We engorged ourselves on the exquisitely glorious views from our gazebo down the hill, coffees in hand, tiny lizards scurrying into the brush as we passed by.

But soon it was time to bid adiós to our little house in the mountains, to make our way back to San Juan through those hilariously ridiculous mountain roads, winding and twisting and turning through steep grades and lushessly green forests, to eventually an area to the east of San Juan and just north of el aeropuerto called Piñones, upon the recommendation of Ricardo, our food guide tour, who explained that we can find some of the best comidas fritas on the street there.

We decided to visit Mi Casita Seafood, a lovely little outdoor restaurant/bar with a pavilion, to enjoy some piña coladas, beers, carnes fritas con arroz y frijoles, trifongo, and rice pudding. While it was splendid to enjoy one, last, authentic Puerto Rican meal, I wouldn’t say that the food at Mi Casita was the absolute best but also not the absolute worst. Just middlingly average but satisfying nonetheless.

Mi Casita is also located right near the ocean, so we allowed ourselves one, final, lengthy, indulgent view of the hopelessly brilliant sea, wind in our hair, the sea breeze refreshingly exhilarating against the skin, the roaringly elegant crashes and clashes of the ocean’s neverending undulations, the shoreline constantly and invisibly shaping and re-shaping, footprints in the sand as ephemeral as lifetimes, the waves washing impressions away from a fickle memory. It took incredible energy to turn our backs to the sea and return to the car, moving away yet also onwards, away from magic, back towards reality, not knowing when we’ll see this breathtakingly beautiful island once again, its people, its food, its cocktails, its sites, its churches, its castles, its museums, its cities, its towns, its cats, its mountains, its roads, its streets, its heart of gold, its hardship of the ages, and its resilience of steel.

Travel does broaden the mind, and the more I do it, the more I know that I’ll never fall out of love with it, the memories it creates, the perceptions it shapes, the connections it forges, and the lives it enriches. I’m already looking forward to the next adventure, wherever and whenever that may be.

Until then, take care, Puerto Rico. We will meet again, and it can’t be a moment too soon…

“¿Entiendes esta palabra?” – unas vacaciones en Puerto Rico, día once

A mural in Ciales by Cristiain Roldán honoring Juan Antonio Corretjer*

Alas, our last full day in Puerto Rico arrived, and it seemed a moment too soon. We wanted one last day in San Juan proper, but we took a little detour on our way there from Jayuya to visit El Museo del Café de Puerto Rico, a little museum located in a little town called Ciales.

Ciales is a charmingly quaint town of less than 20,000 people, and a colorful mural honoring poet, journalist, and pro-independence activist Juan Antonio Corretjer welcomed us after we parked our car. The mural was painted by artist Cristian Roldán who grew up in Puerto Rico but has since moved to Chicago. The artwork not only celebrates Corretjer but also highlights the culture of Puerto Rico with images of its mountains and its towns while also acknowledging the despair that many Puerto Ricans feel, choosing to leave the island behind often for good, which is depicted by images of U.S. cityscapes, including an image of the Willis Tower in Chicago. The mural again served as a reminder to me that I don’t believe there are any easy answers for how to solve Puerto Rico’s question of becoming independent, becoming a state, or remaining a commonwealth. There is much passion and emotion surrounding this problem, and it will be difficult to find any sort of solution that satisfies some without leaving others behind.

We continued to walk down the main drag of Ciales to eventually enjoy our visit to the coffee museum. Like Ciales, the museum is also small but quite a delight and it doesn’t take long to view the entire place, appreciating old artifacts like antique coffee mills and giant mortars and pestles as well as old documents and ledgers.

Inside El Museo del Café de Puerto Rico*

Next door to the museum is the Don Pello Coffee Shop, where we discovered we were quite famished. The menu featured plates that wouldn’t look out of place at any diner in the states (waffles, omelets, pancakes, fried eggs with ham, and so on), except the view as we sat outside under a pavilion was characteristically and uniquely Puerto Rican—those lush, green, rolling mountains; those vibrant flamboyan trees with their blazing orange flowers just beginning to appear in time for spring; all accompanied by that impossibly comfortable Puerto Rican air that persistently invited us to enjoy its warming presence. The cafe also had a petting zoo where we could express our love to small bunnies, baby goats, and a particularly vocal donkey.

Soon we were on the road again towards San Juan, making our way to a district in the city called Santurce, known for its street art. When we arrived, we parked in a ramp near the Museum of Contemporary Art of Puerto Rico and then walked down a main drag, Avenida Juan Ponce de León, on a mission to find unos artes de las calles. In the process of looking, we walked past the Miramar Food Truck Park, which we had visited earlier in the week (and I still advise that you make a trip to enjoy some incredible food there) and then proceeded to walk south down Calle Cerra. It was on this street that we started to find some of the best graffiti art we had yet seen in the city.

But before we could enjoy all the art on this street, we naturally found ourselves a little thirsty and decided to visit a lovely place called El Axolote, a self-proclaimed restaurante mexicano. Our camarero was at once helpfully instructive, dashingly charming, and—how do I say this—overtly devious, which I’ll get to in a moment.

Outside El Axolote where a mischievous waiter taught us some naughty words*

As it was a mexican restaurant, mezcal was on the menu, so we ordered paloma mezcals. Normally, of course, palomas are made with tequila, but the smoky overtones of the mezcal added an earthy shade of flavor to the citrusy, summertime drink. When our waiter returned to ask how the drinks were, I remarked, “¡Muy delicioso!” and he laughed a bit and said, “No, don’t say that about a drink. Say, ‘Está bueno’. Or you could say, ‘Está cabrón’.”

We, of course, were too quick for him as we had already learned that cabrón is a word not to use with your boss (recall that it translates to many things, including bastard and bitch), as we had learned on día tres from a group of ladies we met while Aaron and I were ziplining. That said, it was helpful to learn that the ladies at Toro Verde were not pulling our legs, as our waiter’s naughty Spanish lesson helped validate theirs.

I then asked him if you ever would say, “Muy delicioso,” about something you’re eating or drinking, and he said that he might say that while he would be, er, enjoying a rather adult sampling of a specific, private body part of a certain gender, if you understand my meaning. The shameless gall of our camarero joven started to reveal itself, but these more adult-themed conversaciones are what help you to really get to know una lengua.

After enjoying a second round of drinks, we felt it was time to carry on with our street art tour. Before we left our table, I had asked our waiter, “¿Dónde está el mejor arte en la calle?” and he recommended we go to the nearby Museum of Contemporary Art of Puerto Rico where we had parked our car, commenting that he doesn’t really have suggestions for arte bueno en la calle, as he sees it all the time and doesn’t really pay attention to it.

As we were exiting, our waiter made one last overture, indicating that he was getting off work in a half hour and that we should join him for more drinks at a bar called El Nie, buttering us up even more by complimenting our clothes, particularly my very own geeky look. We asked what El Nie meant, and he struggled to translate the word for us, and instead asked (brace yourself for some more uncensored language), “What’s the name for that body part in a man’s butt?”

“A taint?” I asked.

Seeking out murals on Calle Cerra

He agreed that was the word he was looking for and then explained that el nie means the taint, and the bar was named so because it’s located in the middle of a short block and isn’t really next to either street that surrounds it. Whether or not this translation of the word is true, I cannot substantiate, as none of the dictionaries I’ve been using seem to have an entry for the word.

Before we finally did leave El Axolote, our waiter additionally explained that he’s banned from El Nie but that if he brought the three of us that they would let him in. (We decided not to take him up on that.) As the afternoon was fading fast, we bid farewell to our mischievous friend so we could continue our tour of art while the light was still out.

There were many glorious murals to see on this street as we walked farther south down Calle Cerra, and many of these murals dominated entire building facades standing three or four stories high: a bold, close-up image of a blonde-haired woman wearing sunglasses reflecting an olive; a giant jackrabbit standing on its hind legs and painted in strikingly cool colors of blues and greys; a haunting image of a woman floating in a forest wearing a box on her head, an image of a skull appearing on the box exactly where her head would be; a young girl sitting on a tree branch cradling a little seedling in the palms of her hands. There was so much to see, and it was gratifying to see artists investing their time and energy in beautifying this part of town with their love of bold colors and striking images.

We eventually made our way to the intersection of Calle Cerra and Avenida las Palmas where we decided to head east and then north back towards the car, as we wanted to enjoy one, last excursion into Viejo San Juan, accidentally walking past El Nie in the process, making sure our naughty waiter didn’t hijack the rest of our day. This part of town, sadly, was clearly still recovering from Maria even though the disaster happened four-and-a-half years ago: sidewalks and curbs were dirty, oily, and crumbing; boulevards were dusty and sandy and devoid of vibrant grasses; shuttered storefronts were overrun with sad, feral cats, the scent of piss and shit permeating the air; a giant, concrete, inhabited apartment complex that looked like something out of 28 Days Later rather than something belonging in a commonwealth that apparently belongs to one of the richest countries in the world. I couldn’t help but feel that we were intrusively encroaching on neighborhoods with a fetishistic desire to view urban decay, so while I’m grateful to have seen this part of San Juan, it felt appropriate to move on.

Pigs roam the streets in Santurce*

All of this said, it was inexplicable to us that this is just how it is in Puerto Rico, not only in San Juan, but all throughout the entire island, once warmly inviting homes now entirely dilapidated and abandoned. I honestly just don’t know how this is allowed to be or what the solution is, and I was reminded of what our bartender at Skryer said the previous day, “It’s not a matter of if we leave the island but when.

We eventually arrived in Viejo San Juan, and we wanted to have drinks at El Convento Hotel, upon the recommendation of our food tour guide, Ricardo, but the hotel restaurant was closed for a private party, so we instead made our way to Marilyn’s Place, where we were delighted to once again encounter Ricardo who was in the middle of the Rum Runners cocktail tour with another group, and he recognized us and seemed delighted that we were enjoying cocktails at Marilyn’s Place. On their sidewalk tables underneath umbrellas, we enjoyed a Brazilian classic, caipirinha, except flavored with a Puerto Rican twist, parcha (passion fruit).

Learning from our difficulties yesterday trying to find a restaurant that had availability, we made reservations at Princesa Cocina Cultura, a restaurant located right on Paseo de la Princesa, a beautiful pedestrian street near the waterfront we had visited previously. We made our way there, taking a somewhat scenic route through La Puerta de San Juan and then along Paseo del Morro, to marvel at one, final, enchanting Puerto Rican sunset.

Princesa Cocina Cultura had ample outdoor seating, and we got to enjoy one last evening meal under a giant gazebo next to an ancient tree adorned with sparkling fairy lights that magically lit up the area as the evening turned to night. We enjoyed canastas de yuca y ropa vieja and molletes criollos to start. Canastas are essentially mashed plantains shaped into a cup, fried in oil, and then filled with whatever you want, in this case yuca and ropa vieja, which is a kind of beef stew. Molletes criollos are thickly sliced pieces of bread, toasted, and topped with pork and tomatoes with melted brie.

The enchanting ambiance of the outdoor tables at Princesa Cocina Cultura*

For our mains Aaron enjoyed a red snapper, Amy a mahi mahi, and I a lamb piñon. Aaron and I absolutely loved our dishes, but poor Amy was less than impressed with hers. I tried a bit, and the best I can describe it is that it tasted like hot fish water, bland and devoid of flavor. It was really too bad, as everything else was so, so good.

We also enjoyed a hefty sampling of cocktails and sparkling wine, and as the evening progressed, a somewhat substantial rainfall joined us, but the gazebo provided ample covering. It actually was quite enchanting, enjoying a meal that was (mostly) transcendent, fairy lights glimmering in an aged tree, rain falling all around us. One of San Juan’s resident cats also joined us under the gazebo, and he, too, looked as if he was enjoying his time at the restaurant, his healthy weight a sign that he knew where to find the best food.

Eventually the rain subsided and it was time to head back to Jayuya for one last jaunt into the mountains. It was challenging to not allow feelings of melancholy to overcome ourselves as we bid farewell to Viejo San Juan, walking past all of the city’s colorful building facades and iconic blue cobblestone streets. But it wasn’t quite goodbye to Puerto Rico just yet, as we had one final sight to check off our list on our very last day on this gorgeous, yet troubled, little island…

Spanish lesson for the day:

  1. We generally were pretty careful about what kind of water we were drinking in Puerto Rico—nothing from the taps, for example. And when we were in restaurants we frequently asked for bubbly water so we’d receive water out of a bottle. “Agua con gas,” is how you’d order that, and our camarero at El Axolote seemed impressed that we knew how to say that.
  2. If you want to know what sparkling wines are available at a restaurant and not just champagne, you can ask, “¿Qué vinos espumosos tiene?” or “What sparkling wines do you have?”
  3. Usar is a handy verb which means to use. At El Axolote, Amy asked, “Qué mezcal usas?” which is, “What mezcal do you use?” The waiter responded, “Uso…” which is, “I use…” and then proceeded to list off the mezcals they have.

Travel tips, day eleven:

  1. Today was the first day where we encountered a local who grew frustrated that we were unable to to speak Spanish very well. It happened while we were trying to buy coffee beans from the coffee museum. “Quiero comprar,” Aaron said while holding up a bag of coffee beans, to which the clerk spoke something rapidly in response. Amy added, “Lo siento, no entiendo.” Exasperated, the clerk got a coworker—who seemed embarrassed by what had just happened—who then explained that her colleague was trying to figure out what kind of roast we wanted. Again, this was the first time we had a difficult exchange like this, but the best you can do is just continue to speak calmly (speaking more loudly never solves anything) and try the best you can as you conjugate the wrong verb or use a mismatched article to its noun.
  2. As you can imagine, Puerto Rico has many palm trees, but my favorite has to be a fluffier variety called the royal palm. They look as if they’ve come out of a Dr. Seuss book, especially when the wind buffets their feathery leaves about.
  3. It’s clear that they dump more money into Viejo San Juan as that’s where the cruise ships dock and where most of the tourists spend their time. But I highly recommend you try to visit areas of San Juan that are outside of Viejo San Juan, as the other parts of town allow you to really see the real San Juan, so step outside the box if you can.

*These photos by Amy Danielson. All others by me.

“Queremos muchas comidas y bebidas, por favor” – unas vacaciones en Puerto Rico, día diez

Cuatro Sombras has amazing espresso and delightful sandwiches.

I think this day, our tenth day in Puerto Rico, was probably my favorite day of all the days we spent there. While I do love visiting old cemeteries, grand castles, educational museums, expansive parks, and so on and so on, there’s nothing that quite satisfies my desire to experience and learn about the local culture than through a food tour. And on this day we treated ourselves to not one food tour but two!

The only regret I have about the food tours is that I wish we would’ve done them sooner in our stay rather than later, as you’ll always pick up little tidbits of information that might inspire you to add something to your list of things to do. And the Flavors Food Tours definitely did not disappoint. We signed up for the Classic Old San Juan Food Tour and the Rum Runners Craft Cocktail Tour, and both were quite delightful.

Our tour guide for the food tour was Ricardo, un hombre guapo y inteligente. Él estudia historia en una universidad en San Juan se llama Centro de Estudios Avanzados de Puerto Rico y El Caribe. (Huh! Apart from the name of the school, I was able type all that out without using a dictionary!) It was clear that not only was Ricardo distractingly handsome as he studied for a masters degree in history (“What have I gotten myself into?” he bantered), but he also had a genuine passion for the people of Puerto Rico, especially the history of their food!

Mofongo and a mojito at Vaca Brava*

Our first stop on the tour was to Cuatro Sombras, a coffee and sandwich cafe. Sombras seems to translate to several things, but the likeliest would probably be shades, as their website indicates their beans are grown in the shade to “allow the beans to mature more slowly and have more contact with the sugars.” We got to enjoy a cup of espresso prepared cortado style (half espresso, half milk) with a sinfully buttery croissant (but a flatter style of croissant) with ham, provolone, and guava butter. The espresso was so absolutely delicious, bold and vibrant, the milk tempering the acidity of the espresso in a delicate harmony of flavors, while the ham, provolone, and guava butter complimented each other in an uncomplicated choreography of the passions, the melted provolone coaxing the saltiness of the ham to embrace the sweetness of the guava in a symphony of delightful sensations. As we enjoyed the espresso and the croissant, Ricardo provided us with a brief history of coffee, how—like ales—it was safer to drink than regular water because it was made using boiled water, how it was exported from the Middle East, and so on.

Our next stop was to El Patio de Sam, and unfortunately this place was probably my least favorite stop. While the ambiance of the restaurant was inviting—colorful tables with blue and yellow tiles, bold yellow walls adorned with colorful art, an elegant wooden bar with a mesmerizing selection of spirits—the food left much to be desired, as if apologizing for its very existence. We were served carne frita con tostones—a Puerto Rican staple—but the meat was quite dry and tough and perhaps a bit too salty, and I don’t even remember eating the tostones. However, while my mouth was treated to sensations best left untold, my mind was treated to Ricardo’s stories best oft repeated: how pork and plantains aren’t native to Puerto Rico but have become such mainstays of the local cuisine and how fried meats are a specialty during Christmastime as frivoleters jaunt from place to place enjoying endless varieties of carnes fritas. Let’s just hope that during Christmastime that other establishments prepare the plato in a better fashion than El Patio de Sam.

Whimsical cat chairs in Bastion de las Palmas*

We next made our way past Catedral Basilica Menor de San Juan Bautista (which we had visited on día cinco, and which I still think you should go visit) and the nearby Hotel El Convento (an old nunnery turned four-star hotel), to a small square called Bastión de las Palmas (once a major defensive section of the Viejo San Juan city walls) outside of a little shop called Señor Paleta, to enjoy a frozen treat on a day just hot enough that you might find yourself perspiring, even with the ocean breeze. Paleta translates to a few words (including blade and trowel), but in the context of food it refers to a popsicle (which has a trowel-like shape, come to think of it). We got to enjoy paletas parchas (passion fruit popsicles), that were welcomingly and slightly mouth-puckeringly citrusy, activating salivary glands to overdrive, as the flavors consumed every sensation imaginable. It was the perfect food to have midway through our tour, especially as we were right by the historic Bastión de las Palmas that allowed us enchanting views of San Juan Harbor.

Ricardo made sure to point out La Casa Estrecha (San Juan’s narrowest house, painted brightly in yellow, standing two stories tall but only five feet wide, squished between wider, taller buildings on either side) and Polo Norte Fabrica de Soda (“North Pole Soda Factory,” a characteristically colorful building of yellows and blues, a soft drink factory established in 1902 by Angel Rivero Méndez) before we moved on to Vaca Brava, which probably translates to Brave Cow or Spicy Beef, if my reading of Collins Dictionary is to be believed. Perhaps it’s actually a dark pun on the fact that a cow must be brave in order to be turned into spicy beef, the poor dears.

The iconic Polo Norte Fabrica de Soda*

Before we enjoyed the main course at Vaca Brava, we got to make our own mojitos. The key to making an authentic Puerto Rican mojito is to place the mint leaves in the palm of one hand and then strike both hands together as if clapping loudly only one time to help release the oils of the plant. Mint began to permeate the air as we mixed the rum, lime, soda water, and simple syrup into a classically delightful concoction. Soon, a hefty serving of chicken mofongo arrived at our tables, the mashed plantains and chicken arriving in a tall wooden cup with the usual sides of frijoles y arroz. And it was so, so tasty and so, so filling I only just barely managed to finish my plate. Ricardo regaled us of the history of mofongo and the origin or the word, which all helped to verify my own research on the dish when I wrote about este plato delicioso for día tres.

It seemed much too soon as we began heading to our last stop, La Picadera, which seems to translate to snacks. The restaurant started in 2014 with a selection of fried finger foods and coffee, but eventually the menu grew to include more sophisticated fare unworthy of the title snacks, as we got to consume the most enchantingly delicious flan I ever got to enjoy. It was unapologetically light and creamy and the perfect level of sweetness, a caramel glaze more consistent with honey on top of a splendidly shaped circle of chilled custard prepared to superior excellence, a flan to which all other flans will now be compared for the rest of my life.

Our first tour concluded, we had a bit of time to pass before our Rum Runners tour began, so we made our way to Scryer Rum and Barrelhouse, where we continued to indulge in our appreciation for well-crafted rum that can be used in drinks generally meant for fine whiskeys. Skryer had a version of that New Orleans classic, the sazerac, prepared with rum instead of rye, and I might’ve had a difficult time telling the difference between the genuine article and this Puerto Rican rendition. With still more time to pass, I had a second drink, a so-called classy lassy, a slightly sweeter—but not too sweet—concoction of rum, lemon juice, honey, and port.

Scryer uses rum in their version of the sazerac.*

It was during our visit to Scryer that we got to hear more about the locals’ perspectives on Puerto Rican statehood. I had written about this a little bit on día seis when we visited the coffee plantation museum in Jayuya, and our conversation with the bartender did little to help me decide on the best solution, as independence, statehood, and commonwealth each have their benefits but also each are fraught with complications. Our bartender was unapologetically anti-statehood, explaining that his generation (he couldn’t have been much older than I am), tends to be anti-statehood because the pro-statehood party that they grew up knowing was rife with corruption, which has colored their perception of the issue. He also explained that one day he will have to leave the island—something he’d prefer not to do—as lucrative career opportunities on the island are few and far between, remarking that he’s seen many others leave the island for the states and who have yet to return.

After listening to his story, I left feeling that I still didn’t know the answer, but that I can nonetheless be persuaded for any of the three options for Puerto Rico’s future. It will take people smarter than me to figure this all out, however, but sadly the wheels of government can turn so slowly, and I don’t foresee a change in the status quo any time soon.

We quickly were off to our next tour, the Rum Runners Craft Cocktail Tour, this time with young Yoli—standing barely above five feet—who was our guide imparting her own knowledge as we made our way through three bars to enjoy, naturally, more rum. Our first stop was, coincidentally, Scryer, which we had just frequented. But this time, we got to go in the back of the bar to learn about the distillation process from the owner, Derek Schwarz, a precocious young lad who studied Scotch whiskey distillation processes in, as you would expect, Scotland, and who brought what he learned to Puerto Rico with dreams to craft not his own Scotch but his own rum with his business partner, Garrett Robinson. Skryer, as it happens, is Scottish for one who predicts the future, a dreamer, you might say.

Entrancing walls of graffiti at El Batay*

We got to try three varieties of their rum, poured neat, directly from the barrels: one aged in an old port barrel, another in a sherry, and a third in a barrel whose details are escaping me, and they were all potently strong and hypnotically profound in their layers of aromas and flavors. After the two cocktails earlier and the three pours during the tour, I sensed a giddy delight within me begin to reveal itself, as you can no doubt imagine.

Our next stop was El Batay. While Skryer was a classy place with a tall, smart, wooden bar with walls dimly lit in elegant red lights, El Batay was a kind of bombed out punk dive bar frequented by hipsters, dirty red and white square tiles on the floor, walls and tables purposely marred with messy scribbles and chaotic graffiti, as if a Jackson Pollock painting was created with the names and words of the generations who visited this place. Indeed, the Rolling Stones are known to frequent El Batay, and one of their tunes happened to have been playing on the jukebox when we were there.

At El Batay, instead of sipping rum, we got to enjoy a mixed cocktail called the vaccine, a mixture of rum, grapefruit, and lime. And I’m so sorry, but I’m forgetting much of the details beyond that as I was so entranced by the unashamedly grimy ambiance of El Batay that I could’ve been served some sort of magical cocktail mixed with the most expensive rum and my eyes still couldn’t have been distracted by the beguilingly entrancing scratchings and scrawlings that embellished the walls in a schizophrenic deluge of bold, chaotic, disordered colors.

Our third and final stop was La Cubanita, a slightly less divey establishment compared to El Batay, but still divey nonetheless—tall ceilings adorned with thick wooden beams, white walls cracking with age and exposing timeless brick underneath, a young mustached bartender wearing a vintage patterned shirt who wouldn’t look out of place in a Terry Gilliam film featuring Benicio Del Toro. La Cubanita is a part of a series of bars—one of them called La Factoría—that is connected by secret passageways. La Cubanita itself used to be a convenience store and is now a world heritage site turned bar, meaning that any repairs to the building need to be completed in the style and practices of when the building was built, something that is prohibitively expensive. And so La Cubanita remains in a state of disrepair (this isn’t meant pejoratively) that lends itself to its uniquely worn charms, rough around the edges.

Inside La Cubanita to enjoy drinks made with ginger and soursop*

Our final drink for the night was a concoction of ginger, hibiscus, lime, and rum and named after tourist Mike Billions who wanted the bartender to make him something gingery. (It was, indeed, a gingery drink.) It wasn’t before long that the Rum Runners tour was complete, and Amy, Aaron, and I decided to have another round of drinks at La Cubanita. I got a drink called Fuego 23, a mixture of mezcal, vermouth, and soursop, a fruit with flavors like strawberry, apple and sour citrus.

We wanted to visit a restaurant called Barrachina, a tip from Ricardo earlier who explained they have the best frozen piña coladas. Sadly, the night was waning fast and there were no more reservations available for the evening, so instead we went to a restaurant called Bacaro, un restaurante italiano. We enjoyed a bruschetta platter, more mezcal, various platos de pasta, and a cheesecake flan. Bacaro provided a great way to find out how Italian food is prepared in Puerto Rico (“Pretty good!” I’d say), and it was a fine way to end a day that celebrated food and drink.

The night felt mildly sultry, moisture heavy in the air, but the ocean breeze made everything feel comfortable and pleasant. On our way back to the car and then onwards back to Jayuya, we took in some final sights of Puerto Rico lit up a night, stopping by Plaza de Armas, an elegant square with an exquisite fountain, pink and purple lights shining off the nearby San Juan City Hall causing the water to glow a calming violet. What a delight it was to become familiar with such an enchanting city through its people, its food, and its drink. Absolutely an impeccably perfect way to spend a day!

We still felt we made the correct decision, canceling our trip to El Yunque National Forest, so we could have another day to explore San Juan, except this time outside of the historic hub of Veijo San Juan and onwards to the more artistic neighborhood, Santurce…

Spanish lesson for the day:

  1. DuoLingo will teach you that pastel (plural: pasteles) means cake. But Ricardo told us that in Puerto Rico it means something else entirely, a beloved Christmastime treat: “Christmas pastel consists of some combination of mashed viandas (root vegetables and plantains), a mixture of yautía (malanga) and guineo verde (green banana), olives, garbanzo beans, manteca de achiote (annatto-infused lard), and minced pork, all wrapped in banana leaves and parchment paper. The whole package is boiled in salty water for an hour.”
  2. If you want to pay your bill in cash, you can say, “Quiero pagar en efectivo,” or, “I want to pay in cash.” If you want to pay in credit you can say, “Quiero pagar con tarjeta de crédito.”
  3. If you’ve come to a restaurant and only want to enjoy some drinks and no food, you can say, “Solo queremos bebidas, por favor,” or, “We only want drinks, please.”
  4. If you want to say you’re familiar with a city or country or person, you can use the verb conocer. “Conozco San Juan,” means, “I’m familiar with San Juan,” while “Conocemos Puerto Rico,” means, “We’re familiar with Puerto Rico.” If you are talking about people, you’ll add an extra word: “Conozco a tu amigo,” which means, “I’m familiar with your friend,” or, “I know your friend.”

Travel tips, day ten:

  1. If you make it to La Picadera, as you enter make sure to watch out for these giant, colorful masks representing key historical figures, generally used for the San Sebastián Festival, one of Puerto Rico’s largest street festivals celebrating the saint.
  2. Be on the lookout for Banco Popular, a bank chain in Puerto Rico, whose branch in Viejo San Juan is a tall, gorgeous, art deco building—the style having since been banned in order to maintain the more historical architecture.
  3. On our food tour, Ricardo told us of how San Juan—like Minneapolis—used to have an impressive streetcar system and how he would love to see it return and lamented the fact that it was dismantled in the first place. It was just another reminder that the easiest way to get around town is by car, as even the existing bus system is woefully inadequate.
  4. While Puerto Rico has made some progress on restoring and repairing the damage from Hurricane Maria, Ricardo told us of how San Juan seemed like an episode of The Walking Dead during the weeks and months following the catastrophe. You’ll notice that the more touristy parts of Puerto Rico have been more quickly re-built, but there are many areas in the more rural parts where, sadly, houses are still abandoned and in disrepair.

*These photos by Amy Danielson. All others by me.

“Yo soy un chico de la isla” – unas vacaciones en Puerto Rico, día nueve

A colorful mural greets us at Casa Bacardí*

Always during any vacation, Amy, Aaron, and I suffer from premature grief that the vacation will eventually come to an end. We were feeling it this morning in particular even though we had three and half days of Puerto Rico ahead of us. I tried to remind myself that the vacation wasn’t over yet, we were still in Puerto Rico waking up to the dense foliage blanketing the beautiful mountains, and while it will be sad when we leave there was nothing to be sad about now in that particular moment.

Amy then told me about this German buddhist she used to listen to who put together a bunch of tapes that were all about being mindful of the moment. And he would calmly say things like, “Now is now,” and so forth. It was all very hippy-dippy, but even the Mayo clinic concludes that these meditative practices may reduce anxiety and depression. And if it seems to work for some people and it’s not doing harm to others, then what’s the matter with trying it out?

So, with mindfulness of the moment in hand, Amy and I had our usual swim in the pool, then later all three of us enjoyed mimosas on our little gazebo down the hill, and then we had a nourishing breakfast of fried egg sandwiches. And it was all just so lovely!

Ahead of us was another day in San Juan, that city that surprised us how much we enjoyed it. In fact, we enjoyed San Juan so much, we decided to skip El Yunque National Forest on día diez, so we could have a total of four-and-a-half days in this glorious, glorious city. While I’m a little sad we didn’t get to see a rainforest, I’m really happy that we got to have all that time in San Juan. I always feel more at home in cities anyway.

The mural inside the museum at Casa Bacardí. The inscription up top means, “The king of the rums, the rum of the kings.”

Our first stop in San Juan was to Casa Bacardí, the distilería for Bacardi rum. I must admit that rum always seemed like the bastard stepchild of all the distilled spirits, and Bacardi in particular was that one booze that frat boys drank to excess with Coke. However, our visit to the distilería totally changed my opinions of the spirit, as there is more to Bacardi rum (and rum in general) than that gross, clear, liquid monstrosity that mars shelves of liquor stores everywhere.

Before you visit Casa Bacardí, make sure you book a rum tasting tour ahead of time, which is what we did. You can also sign up for a mixology class or just visit the bar, but make sure to buy tickets ahead of time.

Before the tour started, we got to enjoy drinks that were included with our $75 tickets right outside in a large, open, covered pavilion. You can choose between a daiquiri, a mojito, or a specialty drink for the season. I think we got mojitos, but I honestly can’t remember. Whatever it was, it was refreshingly zesty in the comfortably warm Puerto Rican breeze. There also was a little food stand nearby where we enjoyed some sweet plantain empañadas.

Once the tour starts, you and your group board a trolley that takes you to a museum. The museum is one, giant, open room with a mural on one wall adorned with flags, images of previous owners, and a giant family tree. You’ll learn that Barcardí was founded in 1862 by Don Facundo Bacardí Massó and that the trademark bat logo was due to Facundo’s wife, Doña Amalia, who recognized that bats were a Taíno symbol of good health, family unity, and good fortune. You also get to have your first sip of Bacardí rum at the museum—and it wasn’t that hideously grotesque excuse for a distilled spirit, but rather a finely crafted, multi-layered, complexly created, carefully distilled libation fit for the most fancy and fussy deity.

Our spread of tasty rums.*

Our trolley then took us to the tasting room where we got to admire four carefully poured glasses of rum, all shades of elegantly light hues of chestnut, hazel, and amber. We first went around the room introducing ourselves and where we were from, and our guide, Edwin, remarked that he once lived in Baltimore (where one of our group was from), but that he didn’t do very well in a winter climate, singing, “I am an island boy,” to great amusement.

Before we proceeded to drink the enticing rums, we first learned how to sniff the aroma (place your nose at 12:00 relative to the glass), how to describe what we smelled (butter, caramel, butterscotch, etc.), then how to sip (take one sip, let the sensations dissipate, then sip again to more fully appreciate the mosaic of flavors).

We worked our way through the four drinks (a four-year, eight-year, ten-year, and special reserve), while Edwin enthusiastically told us about how you can make ice cubes out of coconut water to add to a generous pour of rum or how you can fry bacon in a nice eight-year rum to dress up your breakfast a bit. My opinions of rum totally changed during this tasting, as rum—when crafted correctly—is just as alluringly exquisite as any well-crafted bourbon or Scotch or rye.

Soon our tasting was over, but before we left we enjoyed one more mixed drink on the pavilion (I think we had a rum old fashioned), taking in the delicately warm breezes of Puerto Rico once again.

Our next stop was the Miramar Food Truck Park, located outside of Old San Juan and in San Juan proper, right on Avenida de la Constitución in between Calles Ernesto Cerra and Monserrate. The park is open 12-10pm Wednesday to Sunday, so plan ahead so you don’t arrive at a closed park.

A stuffed avocado at the Miramar Food Truck Park.*

I neglected to take good notes on the food truck we decided to eat from, but it was a food truck that had really authentic Puerto Rico fare, stuffed avocados with shrimp and salmon. If there’s one food thing you must eat while you are here, it is a stuffed avocado from a food truck. As I remarked on día cinco when we dined at La Casita Blanca, the avocados here are so, so big and so, so tasty, and the way they stew their meats and seafoods to stuff the giant avocados yields a meal that is not only satisfyingly filling but also a celebration of the senses for your eyes and nose and mouth, una fiesta de las sabores exquisitos.

We next needed to make our way to Fajardo on the northeast coast to enjoy an excursion into a bioluminescent bay. Somehow we missed in our planning that the drive from San Juan to Fajardo was an hour, so we were a little bummed about how far away it was, but we carried on regardless. We had purchased tickets from Kayaking Puerto Rico to coincide with an evening with a new moon to limit how much light would interfere with our ability to see the tiny organisms light up the waters of the bay at night. However, they had called us ahead of time to tell us that the tiny dinoflagellates were lately being a little shy, and that we should lower our expectations about how ebullient they were going to be. In fact, they offered us a full refund. But we didn’t take them up on that offer, electing to carry on regardless.

Arriving in Fajardo at night, it would have been difficult to tell the difference between Fajardo and any boring old suburb of Minneapolis and Saint Paul like the lifelessly and monochromatically named cities of Blaine or Shoreview. (Isn’t Blaine the most suburby name of all suburbs to end the contest for the title of King of All Suburby Suburbs That Ever Did Burp, er, Burb?) Like Blaine and Shoreview, Fajardo itself didn’t have all that much to do, as we wanted to have a caffeinated pick me up, but there was no open coffee shop in sight.

Before long, however, we were all lining up to listen to the instructions from our kayaking master who had the most romantically charming accent that I couldn’t quite place: “Police be KARE-ffful off thee COO-rents off zee WAH-tors ass we maaaake our waaaaay to thee bye-oh-LOOM-een-eh-scent bay-ee.”

He explained that our route was a manageable few miles through a somewhat unmanageable río pequeño—but not too unmanageable—generously populated by salt-tolerant mangroves. It was really fascinating making our way through a narrow steam at night, flashlights of our guides casting shadows of jagged branches.

After a good half hour of kayaking, making sure to avoid the sharp branches and kayakers from other tour groups (“Wwwh-atch out fffor thee EN-emiesss!” our guide would sarcastically warn), we arrived at Laguna Grande, the one of three bio-bays of Puerto Rico (there are only five in the whole world). And, as we were warned, catching a glimpse of the little critters that light up the waters was somewhat a game of hide and seek. The only way we could see them was by covering our entire kayak in a tarp to block out the starlight and swirling our hands in the water in order to cause the dinoflagellates to light up instinctively, rather like willing tiny, sparkling, blue fireflies into existence in dark waters. While viewing the tiny creatures suffering from stage fright was still nonetheless informative, don’t go on a bioluminescent bay tour expecting to see sights like the images you can view here, whole areas of the bay alight with brilliant blue fairies.

We also got to take some time to view the night sky aglow in more stars than I ever recall seeing, our guide pointing out various constellations and other cosmic objects. All in all, I did enjoy our little kayaking adventure, but I love kayaking in general, so I was inclined to enjoy myself. That said, if you want your main highlight to be viewing mysteriously alight waters in the dark without much work on your part, you may want to take up your guide’s offer of a refund if they warn you that the bay has been less than glowing.

Soon, we found ourselves making our way back to shore and thenceforth all the way back to Jayuya. And we went to bed so excited because we still had two and half days to explore as many nooks and crannies of San Juan that we possibly could…

Spanish lesson for the day:

  1. The proper way to pronounce Bacardí is bah-cah-REE.
  2. The word for bay in Spanish is bahía. And a bioluminescent bay is bahía bioluminiscente.
  3. If you want to practice mindfulness in Spanish, you can chant to yourself, “Ahora es ahora,” or “Now is now.”
  4. And if you find a drive boring (no matter how much you chant, “Ahora es ahora,” to yourself), you can use the adjective aburrido. “Esta carretera es aburrida,” means, “This road is boring.” If the drive happens to be fun, however, you can say, “Esta carretera es divertida.” Likewise, if you find your kayaking master fun or funny, you can say, “Ese hombre es divertido,” or “That man is funny.”

Travel tips, day nine:

  1. As we were waiting to board the kayaks, there was some sort of tiny organism in the water that bit our legs, and I managed to brush them away, feeling a bit of matter accumulate in my hand as I hopefully squashed the whatever-it-was. So just watch out.
  2. Much of our driving today was on the more major highways (“carreteras”) that traced the shoreline and allowed for swifter traffic. So not all driving in Puerto Rico is an hour-long trek over 20 miles through hairpin turns and sharp switchbacks.
  3. I highly encourage you to spend at least three or four days in San Juan alone. It is an enchanting city with so much to do and see, and even four days doesn’t sound like enough.

*These photos by Amy Danielson. All other by me.

“Creo qué voy a estar enfermo” – unas vacaciones en Puerto Rico, día ocho

Our eighth day continued on with enjoying more of the ocean, except this time with a snorkeling adventure, something I have long wanted to do. We had decided to book tickets with Paradise Scuba & Snorkeling, an outfit located in La Parguera on the southwestern coast, a small town in the Lajas municipality.

Houses right on the waterfront for tourists to rent.

We opted for their local reef snorkeling trip, and they have excursions at 9am and 1pm. Naturally, we signed up for the 1pm slot on account of the two hour drive to get there. I’ve commented on this before, but we severely underestimated how much time we were going to spend driving. And while the landscape continued to dazzle, the amount of time in the car was starting to wear a bit thin. That said, I’m so absolutely grateful we got to see as much of the island as we did while staying in such a remote area, and I would be sad if both things were taken away from me. So I’ll stop complaining about all the driving.

When we arrived, we were immediately greeted by friendly staff who helped us get our gear. I had also called ahead of time to see if they had prescription goggles since I’m severely near-sighted, and I was delighted to hear that they did have some pairs to try out. I put on their strongest pair and it was a pretty good match. It also helped that objects look bigger underwater because of the refraction.

Soon we were off under the captaincy of handsome Angel, traveling by boat out to the reef, a group of ten in total. On our way out, we got to view colorful rental houses for tourists right on the waterfront, followed by amazing views of the cerulean hues of the Atlantic ocean. The waters were so immediately inviting, I couldn’t wait to dive in.

We also go to catch a glimpse of Cayo los Blanco (the White Key), a shallow part of the ocean with a nearby islet where boats anchor and visitors are able to party while enjoying their drinks in shallow water, wading through the sea boat to boat if they so desire. Our tour guide, Jonathan, remarked that we were seeing it on a slow day, and that on weekends hundreds of boats may be clustered together for una fiesta grande.

Anchor your boat in the shallow waters of Cayo los Blanco to have a party at sea.

It wasn’t before too long that we eventually reached our destination. Jonathan provided us with ground rules for how we’d communicate and a preview of the things we’ll see. He stressed that we will look at lots of things that appear to be plants but that are in fact not plants and that we are only to touch things that he handed to us. They also had floatation devices upon request, and if you have even the smallest inkling of worry that you may tire in the waters, I highly recommend you take one. I opted not to and was fine, but if you’re not a strong swimmer, do take one, as one lady in our party had to retire back to the boat earlier than the rest of us.

Not only did the waters look inviting they also immediately felt inviting and were comfortably warm but not too warm. We swam out at a comfortable pace but quickly found ourselves amongst the reef. I was struck by how physically close we were to the delicate formations, so much so that I felt I needed to position myself as flat as possible on the very top of the water so as to not accidentally strike and damage some coral. We eventually got to deeper parts (30 feet, I believe Jonathan told us) where this wasn’t as much of a concern.

While I was really enjoying the experience paddling along in the water, I did find myself thinking that the coral seemed especially pale in color, a mixture of grey greens and dusty blues, nothing like the images I fondly recall while watching Nova on public television. Amy would later remark that my observation was valid, as she previously enjoyed more colorful reefs in Utila.

That said, I still really did enjoy myself as I watched colorful fish fluttering by in tiny schools as bright sunbeams brightened the crystal waters. Jonathan also found some critters for us to hold: a small, spiky sea urchin; a spider-like sea star; and a few other creatures that I’m forgetting the names of. Swimming in the ocean also continued to reaffirm that I’ll never again swim in any Minnesota lake with drab and dreary and slimy waters with fish more like prehistoric monsters rather than the cute and colorful cartoonish sea life of the ocean.

Chickens dine with us at Cueva Isla.

As our tour continued on, however, the wind really started to pick up and I became keenly aware of how much the water was moving up and down and up and down to the point that I started to experience some mildly severe sea-sickness. I really didn’t want to miss out on the adventure, however, so I was able to power through. But it eventually got to a point where there was no stopping the churning unrest in my stomach. Fortunately our excursion was at an end and the boat was nearby, so I quietly vomited in the ocean while we were still swimming in the water. This seemed the better option, rather than subjecting my fellow snorkelers with a messy fountain of vomit portside. I don’t think anyone noticed, but anyone reading this will, of course, now know. So, if you are at all prone to sea-sickness, you may want to take a non-drowsy Dramamine or something to prevent any interference in your enjoyment of a snorkeling excursion.

We soon were back on land (I grabbed a complimentary beer on the boat in hopes of relaxing my smooth muscles), and I told Amy and Aaron that I needed to take a moment to get my stomach and head back on straight. I soon was right as rain, and we were all quite famished, so we went to a nearby burger joint called Isla Cueva (Cave Island). I enjoyed a caracoles burger (caracoles seems to translate to snail or snail shell or spiral), which was a beef burger with a bacon and sweet plantain topping, caramelized onions, and pepper jack cheese. My blood must’ve really been craving some fresh injections of iron, as the burger was so, so tasty. We also enjoyed some piña coladas and a variation of the drink called a Miami Vice. Live chickens were also amongst us enjoying a meal as they scoped out the outdoor tables for scraps of food as if they were pigeons in London.

And before we knew it, our day was already coming to a close, so we headed back to our little hideaway in the mountains of Jayuya. Our next day’s adventures would continue on for a third day of enjoying the ocean, except this time in a kayak to view a bioluminescent bay…

Spanish lesson for the day:

  1. Toilets in Puerto Rico have pretty commonly been marked as caballeros (gentleman) and damas (ladies). Sometimes you might see them marked hombres (men) and mujeres (women). I don’t think I ever saw them marked señores and señoras but I could be mistaken.
  2. At grocery stores, you’ll need to pay for any bags you use, so the cashier will ask, “¿Cuántas balsas?” or “How many bags?”
  3. The verb for to swim is nadar. “Nado,” means, “I swim,” or “I’m swimming,” while “Nadamos,” is “We swim,” or “We’re swimming.” Can you figure out what, “Nadamos en el mar,” means?

Travel tips, day eight:

  1. Drivers in Puerto Rico tend to use the car horn for the reason it was originally intended: to make your presence known rather than to yell at each other. It isn’t uncommon to approach a hairpin turn in the mountain only to hear a large truck honking its horn to give you proper warning of oncoming traffic in the middle of the road.
  2. Be on the lookout for snake plants growing not in pots as you might see inside any house or office building in Minnesota but just right on the road or in people’s yards as if they were hostas or ferns.
  3. Also look out for a common tree in Puerto Rico, the flamboyan tree, that grows quite tall and decorates itself with flaming orange flowers, which were just starting to bloom as spring approached in Puerto Rico.

*All photos in this post by me.

“Tres hombres guapos en la playa” – unas vacaciones en Puerto Rico, día siete

Hidroeléctrica Dos Bocas, a project from the New Deal.

When we had done some initial planning for our trip, one of the cities that seemed alluring was Arecibo, mainly because we wanted to visit the Arecibo Observatory. Sadly, the telescope collapsed in December 2020, and the grounds were closed to the public while we were there. However, the observatory recently reopened in March 2022 after we had left Puerto Rico, and while scientists are exploring a replacement telescope, there don’t seem to be any firm commitments for a new one any time soon.

So we instead explored possibly visiting the city of Arecibo itself, but—in all honesty—it just didn’t seem very interesting. Our Foder’s book only had two pages written about the town. However, we still wanted to explore the northern coast and spend some time lazily lounging on a beach, so we decided to visit Cueva del Indio, the Siete Arcos, and a beach called Mar Chiquita.

Our drive to the north continued to provide us with the stunning views of the Puerto Rican mountainscape we had by this point become accustomed to. Our route also took us past Dos Bocas Lake—Two Mouths Lake—and we got to drive over the dam that created the lake when the dam was built from 1937 to 1942, a New Deal project. The dam allows a single lane of vehicles, but we didn’t have troubles passing through on account of the nonexistent traffic.

Graffiti art inspired by Taino petroglyphs

We did take a moment to get out of the car when we reached the western end of the dam to enjoy gorgeous views of the lake and to get a better glimpse of the dam itself. There was also a parked car with three men in it who—if I’m remembering correctly—were associated with the power plant. They seemed a little pleased (if not surprised) that three gringos were exploring this part of the island, as they asked us with a smile in flawless English, “Enjoying the view?” Indeed we were, not only the views of the lake and the dam, but also some nearby graffiti art inspired by Taíno petroglyphs and signed with the handle, @arteenlibertadpr.

Eventually we reached Cueva del Indio—Cave of the Indians—so named for the Taíno petroglyphs carved into the cave walls (maybe they should change the name to Cueva del Taíno), and the petroglyphs were similar to the ones we saw in the graffiti art nearby Dos Bocas and also on día seis at Piedra Escrita. However, reaching the petroglyphs involved shimmying through a tiny opening in the rockface, and we elected not to do that on account of how busy it was. Regardless, you can still view the cave from above (just not the petroglyphs very clearly), admiring the somewhat substantial drop to the cave floor from the rocky surface above.

One of the Siete Arcos*

The nearby Siete Arcos—Seven Arches—is perhaps the reason to visit this area of the northern coast, as the giant, limestone arches that dominate the cliff face along with the stunning views of the Atlantic from the spectacular heights are sure to delight your senses. I’m certain when I say that this whole section of the shoreline provided us with some of the most memorable views of the ocean during our entire time in Puerto Rico—angry waves haphazardly and with reckless abandon crashing against the jagged shoreline, unbelievably gorgeous limestone arches extending several meters from sea level to the pinnacle of the cliff face, the cerulean and aquamarine hues of the exquisite Atlantic reaching endlessly towards the horizon.

As I’ve mentioned, the whole of this part of the coastline is rocky and craggy, sometimes not unlike a location for an alien world in Doctor Who, so make sure to wear proper hiking gear. Also make sure to watch where you step, as dotted throughout the landscape are holes just big enough for a human foot to fit (or even a small child) that lead nowhere else except to the turbulent ocean below, a drop of several meters that I wouldn’t recommend unless you have a death wish to plummet to a watery grave.

All things considered, I highly recommend a trip to Cueva del Indio y Siete Arcos, as the views are unforgettable and the oceanscape impossibly beautiful. It also only costs $5 per person to enter. “Quiero tres boletos adultos,” I said when we arrived, to which the man on staff responded, “Quince dólares,” and he quickly added in English, “Did you understand?” And I responded with a smile, “Of course I did!” There were some other gringos in line behind us, however, and he badgered them, “I bet these guys didn’t understand!” It was a friendly little exchange, and I felt a little proud of myself and thankful for all the work I did to learn some Spanish ahead of our trip here.

The half-moon shaped Mar Chiquita

Our next step on our tour of the north was to a beach called Mar Chiquita, which translates to Little Sea, so named because the beach features a natural, half-moon shaped pool protected by two limestone outcroppings with a gap in the middle that allows the waters of the energetic Atlantic to rush in. There isn’t much in the way of shade, however, but you can rent chairs and umbrellas until 5pm.

It had been over two decades since I last swam in the ocean (and even then it wasn’t the ocean at all but the Gulf of Mexico), and it was such a delight enjoying the pleasingly warm and invitingly clear waters as they rose gently yet dramatically up and down with views through the water to the very bottom, unobscured by slimy muck that pagues yucky lakes in Minnesota. (It’s official: I’m never swimming in a lake ever again.) Amy and I had even foolheartedly pushed ourselves to swim all the way to the limestone outcroppings, but by the time we reached the craggy rocks, I soon realized how dangerous it was as the waves crashed through the gap in the rocks (I scraped my outer thigh pretty impressively), so we quickly swam back.

La Estatua de Colón invades the northern coast of Puerto Rico*

We also got to spend some time lounging on the beach, enjoying a picnic with pre-mixed bebidas de ron, watching other people as they, too, enjoyed the water and the sun. Nearby there was un grupo de tres hombres guapos en la playa who also lazily soaked up the sun, unapologetically exchanging lovely, gentle caresses of each other’s hands, and I couldn’t help but feel an intense desire to join them.

As 5pm rolled around, everyone started to pack up, I think partly because it also started to rain ever so gently. The three Minnesotan gringos, however, couldn’t have been bothered in the slightest, as the rain felt warm, it wasn’t snowing, the sun was still out, and the ocean was still there for us to enjoy. One person did tell us that we could stay, just not past dark.

Eventually it was time to pack up, and that moment came much too soon. We did enjoy one last lovely, lovely drive for the day along the coast, taking in the gorgeous Puerto Rican sunset, an oil painting of vibrant reds and oranges, the sky a blaze of fiery beauty, a moment that Van Gogh surely would have liked to have captured in thick, swirling brush strokes.

Although our time with the ocean concluded on this day, we had another ocean excursion planned for día ocho, a trip to the southwestern coast to snorkel above a reef…

Spanish lesson for the day:

  1. The weather on Puerto Rico is positively magical and never uncomfortable, especially if you’re from Minnesota. If it does dip to an uncomfortable 60 degrees, however, you’d say, “Hace frio,” which literally translates as, “It makes cold.” If it’s hot, you’d say, “Hace calor.” If you are physically cold, you’d say, “Tengo frio,” which literally translates as, “I have cold.” If you’re hot, you’d say, “Tengo calor.” Lastly, if it does happen to rain, all you need to say is, “Llueve,” or “It’s raining.”
  2. The word for ticket is boleto. “Quiero tres boletos adultos,” is, “I want three adult tickets.”
  3. I always thought it was strange that English uses eleven and twelve instead of oneteen and twoteen. Spanish takes it a bit further all the way to fifteen: once, doce, trece, catorce, quince before finally settling on dieciseis, diecisiete, etc. 

Travel tips, day seven:

  1. Fans of the Pirates of the Caribbean films may especially love a visit to Cueva del Indio y Siete Arcos, as they filmed on location there.
  2. We mostly thus far had been shopping for groceries at a local chain called Econo, but we had discovered another chain called Pueblo, and it seemed ever so slightly more fancy.
  3. Also along the northern coast, you might—as we did—catch a glimpse of La Estatua de Colón, an austere and forbidding 360 foot bronze statue marking the 500th anniversary of Columbus’s invasion of the Caribbean.

*These photos by Amy Danielson. All other by me.

“Se perdió el mercado europeo” – unas vacaciones en Puerto Rico, día seis

As we had just finished a satisfyingly jam-packed day in San Juan, falling in love with the city many times over, we decided to spend our time for our sixth day taking it easy in the secluded Puerto Rican mountains. After all, that’s how we initially envisioned this little trip: a quiet time away, tucked quietly in more remote parts of the island, lounging by the pool, preparing meals on the grill, and drifting away into a world free of everyday worries. And so, a satisfyingly slow day it was.

A beautifully colorful morning in Jayuya.*

Nuestra casita en las montañas had more than just incredible views of the Puerto Rican mountains and a refreshingly cool pool, it also had a lovely little gazebo just a few feet down the mountainside. So we started our day relaxingly by brewing and enjoying the tasty coffee that all the panaderías here have. We also had been marveling at some fruit trees that were growing just outside our side of the fence: something that looked like oranges and another that looked like papayas but more acorn-shaped. I tried identifying the later fruit in various searches but haven’t been able to come to a satisfactory conclusion, so if anyone knows what the fruit is, please let me know. (We will eventually open the fruit up on our twelfth and final day in Puerto Rico, so stay tuned for more information.)

We naughtily couldn’t resist trying to get a taste of the forbidden fruits, as it were (at least I couldn’t resist, Amy suggesting we should leave well enough alone), so I grabbed the net normally meant for cleaning the pool, extended it across the fence, and yanked one of the “oranges” and one of the “papayas” off the trees hopefully with no one noticing (not that we were surrounded by many people).

Inside Hijos del Cafetal, a coffee plantation museum in Jayuya.

The “orange” seemed ripe enough so we threw it into a salad with una piña and an actual papaya we had purchased earlier and then left the other so-called “papaya” we just picked to ripen. If the orange was an orange, it tasted more like grapefruit, but the sweetness of the pineapple helped to offset the bitterness. We also decided to have some mimosas with our fruit salad but with a Puerto Rican flare: instead of cava or champagne we improved the recipe with ron (that’s rum, of course).

Amy and I were ready for a swim, as we usually were every morning—rum mimosas in tow, sitting safely at the pool’s edge for sips in between watery strokes—while Aaron opted to only submerge his feet (“I’m a big comfort guy,” he’d say, the water far too cool for his comfort). Following our swim, we prepared some rice, eggs, and toast, and as we were eating outside taking in the glorious mountain air, an alarmingly large, black insect flew past our table and landed on a purple flower on a nearby tree a few feet away.

Thus far, the insect life had been remarkably invisible, even though we had prepared ourselves to encounter countless mosquitos, giant tranchulas, and pesky flies. But this large flower-loving insect was the closest encounter we had so far with any neighbors who happened to be disquieting critters. We surmised it was a bee, so we used this field guide to help identify it. And it was, indeed, the xylocopa mordax—a carpenter bee—and while its appearance was alarming, it is generally docile unless you treat it unfavorably.

Amy and Aaron look at petroglyphs, this photo having a hard time capturing how big that boulder is.

The afternoon was by this point well underway, so we decided to make our way to a nearby coffee plantation museum that we had driven past a few times, Hijos del Cafetal or Children of the Plantation. All the exhibits are entirely in Spanish, so unless you studied up a bit, you won’t be able to enjoy the history of coffee in Puerto Rico very well (indeed, I probably understood only about 10% of it), but you’ll at least be able to appreciate the various artifacts and artworks on display. I had remarked earlier to the docent who was on hand, “Hablamos un poco español, pero no muy bien,” and she laughed, and later I remarked, “Leer es más facíl.” But she was so helpful as she explained things in flawless English whenever we asked questions.

One particular placard caught our eyes, however: an image depicting imports arriving into Puerto Rico but no exports leaving it, with the caption: “El Gobierno americano permite la entrada de café de otros países. Se perdió el mercado Europeo,” which is, “The American government permitted coffee imports [to Puerto Rico] from other countries, but the European market was lost.”

We found this deeply alarming, so we asked the docent more information about this particular fact. She explained that the U.S. government does not allow Puerto Rico to export its coffee and other goods to other countries, only to the U.S. itself. After my own additional research, this was perhaps a bit of a misleading simplification of the facts. Regardless, a serious problem still exists; it’s just a little complicated to explain.

Click on this image to view the petroglyphs better.*

There is an old law on the books, the Jones Act from 1920, which states that any sea vessel can enter Puerto Rico, but any ship that travels between two U.S. ports must be built in the U.S. and staffed primarily by people from the U.S. It’s purely a protectionist law created following World War I. The law, in turn, drives up shipping costs, not only between any two U.S. states but especially to island ports in Hawaii and Puerto Rico. This law—along with a desire by the U.S. at the turn of the 20th century to prioritize sugar over coffee—seems to have severely and negatively impacted the coffee market between Puerto Rico and Europe. 

I’m not going to pretend that I fully understand this—and I also fear that I’m not explaining any of this very well—so I encourage you to do your own reading about this problem and compare what I’ve found to what you can find. I think we can all agree, however, that the question of Puerto Rico’s territorial status, statehood, or independence is extremely complicated and fraught with problems of all sorts, that it’ll take people smarter than I am to figure out what the best solution would be. Unfortunately, since Puerto Rico doesn’t have representation in Congress and can’t vote for president, enacting any meaningful change requires an uphill battle.

Following the museum—but not before we enjoyed some delicious coffee at the museum’s outdoor cafe—we made our way into the town of Jayuya to view some ancient Taíno petroglyphs, Piedra Escrita del Rio Saliente. Taíno petroglyphs are found throughout the island, and I encourage you to seek them out to appreciate the elegantly swirling shapes by artists from long, long ago. The petroglyphs at Piedra Escrita are especially satisfying to view as they are inscribed into a giant, giant boulder that sits in the gently flowing waters of the Rio Saliente, a sturdy wooden walkway leading visitors from the roadside down to the riverfront.

Time flies, it seems, even when moving more slowly, as our afternoon was already over. (We wanted a more relaxed day after all.) So before we returned home, we stopped by an ever reliable Econo—now our favorite supermercado chain here—to pick up some groceries to make our dinner. We wanted to try to make our own mofongos rellenos, but we didn’t quite have the tools necessary to smash the cooked plantains to shape into the bowl-shaped delight. So we instead enjoyed plantains cooked lightly in oil; beans with sofrito, onions, peppers, and potatoes; and chicken marinated in more sofrito and grilled. It was a great way to conclude a satisfyingly slow day.

Our following day would prove to be equally relaxing as we headed north to enjoy Puerto Rico’s incredible beaches…

Spanish lesson for the day:

  1. Spanish for coffee is café, while milk is leche and sugar is azúcar.
  2. Con means with and sin means without.
  3. See where this is going? “Quiero un café con leche y sin azúcar, por favor.” Now—using lessons from previous posts—go ahead and figure out how to say, “We want two coffees with sugar and without milk, please.”
  4. Spanish for tea is but don’t ever order that in Puerto Rico. It’s gross. Just stick with café.

Travel tips, day six:

  1. On Sundays in the more remote parts of the island, things will generally close at 5 or 6 in the evening. The Econo in Jayuya, for example, closed right at 5 (despite Google saying it would close at 6), so if you need something and it’s Sunday, make sure to plan ahead.
  2. We had brought so much deet to protect us from all the mosquitos, but we never used it once, despite other travel sites telling us to prepare for the worst.
  3. You’ll be able to find sofrito growing on trees here. Well, not really. But you’ll definitely be able to find it aplenty in any supermercado or panadería.

*These photos by Amy Danielson. All others by me.

“Save the gatos” – unas vacaciones en Puerto Rico, día cinco

Color explodes in the architecture of Viejo San Juan.*

We had a big day ahead of us on our fifth day, an excursion to San Juan, Puerto Rico’s largest city. In order to maximize our time there, we woke up in Jayuya at 7am to the cacophony of all the rooster songs, enjoyed our early morning swim in the pool (well, Amy and I did), had our coffees, and quickly we were off.

We decided to focus our attention for the day on Viejo San Juan (Old San Juan), which is a historic section of town located on a tiny island to the northwest of the main city, connected to the rest of the city by bridges. All around town you’ll notice banners marking 500 años de la ciudad, as from September 2021 to June 2022, the city is celebrating its quincentenary, the city christened San Juan Bautista de Puerto Rico in 1521. (European invaders began murdering the Taíno several decades before this, of course.)

As usual, the drive to a larger city involved navigating the comically narrow and hilariously steep mountainside roads that continued to provide stunning views of Puerto Rico’s densely forested mountains. And, as usual, as we approached San Juan, the roads became wider and wider and faster and faster while still providing those incredible vistas. In previous posts, I’ve gushed and gushed about how exciting it is to drive in Puerto Rico, and that sentiment still hasn’t changed. That said, those of us who are less adventurous (more sensible?) might find these roads quite terrifying, indeed.

Mojitos at La Mallorquina*

Arriving in San Juan, we parked our car in un estacionamiento on a street called Paseo Covadonga for $5 and began nuestro caminar en la ciudad vieja. What’s immediately and strikingly apparent as you walk through the narrow streets of Viejo San Juan is that this clearly is a city built by Europeans, and it wouldn’t look out of place in any Spanish city, a mixture of Gothic, Baroque, Renaissance, and Neoclassical designs, complete with building facades painted in exuberant pastels and adorned with ornate wrought iron balconies and window trimmings along with tall, majestic, heavy, wooden doors. Indeed, I was reminded of the architecture of glorious New Orleans as we walked the narrow cobblestone streets flanked by buildings exploding with color and exuding charm from an era that will never go out of style.

We first were feeling a little thirsty, so we stumbled across a smart little place called La Mallorquina (“The Majorcan,” or a lady who comes from the island of Majorca in the Mediterranean). We didn’t know it at the time, but it’s possible that this restaurant is the first food establishment on this island, opened in 1848, and run by the same family, the Rojos, since 1900. It’s adorned with floors of classy, white-and-black square titles, walls of bold yellow and elegant white, terra cotta roofs, and grand archways. The service was equally posh, our camarera mixing up mojitos right in front of us, muddling the mint with sophisticated finesse.

Following our drinks, we made our way to lunch at a restaurant called La Casita de Rones (“Little House of Rums”), located right on the southern waterfront. The restaurant is painted brightly in pink, and it offers what could be stunning views of Vajo de Manglar (this seems to translate to Mangrove Swamp, but I’m not entirely sure), the small bay on the south side of Viejo San Juan. However, hideously tall cruise ships obscured the views as the monstrosities brought frustratingly loud tourists from the United States who only spoke English to mute the delicately light and enchantingly seductive lilts of all the Spanish speakers. 

A walk along Paseo del Morro

Regardless, our dining experience at La Casita de Rones was delightful indeed! As I wrote about in my previous posts, in the larger cities the locals seem to default to English even when you speak in Spanish. But it’s still so much fun trying out whatever you’ve learned (and I continue to highly recommend that—at the very least—you learn the very basics I posted about in dia uno, but I’ll probably judge you if you don’t learn more). For example, there was one drink I wanted to try called a Rum Message (Bacardí superior, cocchi americano, pamplemousse liqueur, agave real, fresh citrus juices, grapefruit sour juice & Angostura bitters), and I ordered it as, “Quiero un mensaje de ron,” just to see what our camarero guapo (and, oh my goodness, was he handsome) would say. He had a really good laugh with me, and then proceeded to tell me I could order it by pronouncing it as, “Rone me-SAH-hay,” but he still understood what I meant. Amy and Aaron, meanwhile, tried a Sexy Colada and a Jail Monkey, both drinks essentially a variation on the traditional piña colada.

Following drinks, I enjoyed some delectably tasty tacos de pescado (with mahi-mahi) while Amy and Aaron enjoyed stuffed mamposteao (stewed local beans, sauteed vegetables, white rice, with your choice of protein) and something else that I’m forgetting. As we finished up lunch with another round of drinks, I flagged down nuestro camarero guapo and asked, “¿Tenemos la cuenta, por favor?” I messed up a little bit, as this translates to, “Do we have our check, please?” It would have been better to say, “¿Podemos tener la cuenta, por favor?” or, “Can we have our check, please?” However, the handsome, handsome hombre knew exactly what I meant, and I think he might’ve been impressed that I knew how to conjugate tener at all or knew what a cuenta was.

A cat lounging outside Save a Gato, a non-profit that helps the many cats you’ll see in San Juan.*

I made one final error as we were leaving La Casita de Rones, wishing our waiter, “¡Disfruta el dio!” which is, “Enjoy god!” (I’m so sorry) when I meant to say, “¡Disfruta el día!” which is, “Enjoy your day!” Regardless, I still think he understood what I meant, didn’t presume we were missionaries, and was impressed I knew the verb disfrutar at all. He seemed so appreciative of our visit he pressed his hands together at his chest, smiled, and wished us well. I honestly don’t think we would’ve received such a happy farewell had we spoken no Spanish at all.

Next we decided to make our way to Castillo San Felipe del Morro, a 16th century Spanish fortress built on the most northwestern tip of Viejo San Juan. The walk was a leisurely 30 minute promenade as we traced the waterfront using Paseo del Morro, a pedestrian walkway that provides incredible views not only of la Bahía de San Juan, but also the centuries-old Spanish walls that rise several meters from the rocky shoreline and are several feet wide as to protect the city from oncoming attacks.

We enjoyed several other sites as we made our way to the castle: a little outdoor market on Paseo de la Princesa (an elegant stone walkway embellished with tall, stately lamp posts and knobby, craggy trees that provided ample shade in the heat and humidity of Viejo San Juan); Fuente Raíces (“Fountain of Roots,” as it were; an elegant fountain of horses, dolphins, and gods and goddesses of Taíno, European, and African cultures to celebrate the people of Puerto Rico); and Puerta de San Juan (a centuries-old gate of two large, heavy, wooden doors standing several feet tall, the archway painted brightly in red, the last of six gates that survive to this day that allows foot traffic through the imposing Spanish walls).

An inviting green space as we approached El Morro.

We also discovered a lovely, little, modest, pink building with a giant mural of a sphynx cat with striking blue eyes that housed Save a Gato, a non-profit organization created to address the cat overpopulation of Viejo San Juan. Their website states: “SAG is the only non-profit organization that has an agreement with The National Park Service to manage a colony of cats on national park land.” Their work to trap, neuter, and return cats has helped to reduce the cat population in Viejo San Juan by 50% since 2004. They also help foster and adopt cats, and they stress that they are not a shelter. So please don’t just dump your cats off at their building or the nearby Parque de los Gatos.

Many of the cats you’ll encounter on your walk along the waterfront (indeed, around all of Viejo San Juan) are healthy and friendly. But there are many others who are very shy and wary of humans and more still who are visibly ill, malnourished, or injured. While it was heartwarming to encounter the organization to help all the cats of San Juan as best they can, it was also quite sad to encounter other cats who were having a tougher time than the others. Regardless, the work of Save a Gato is obviously so important, so I encourage you to follow them on Facebook and Instagram and—if you can—donate money to them as well.

After saying hello to, visiting with, and petting several cats, we at last made our final approach to Castillo San Felipe del Morro (named after King Phillip II of Spain and called El Morro for short), which sits atop a hill, a sprawling greenspace inviting us to continue the climb to the castle. Constructed from 1539 to 1790, the Discover Puerto Rico website writes: “[The] fortress has seen many battles over the centuries, from Sir Francis Drake’s attack in 1595 to the 1898 bombardment of San Juan by the US Navy, but it has never been defeated.” The fortress came under U.S. control following the conclusion of the Spanish-American War in 1898 and was used as a military installation in the two world wars before it was retired and passed to the National Park Service when it became a museum in 1961.

Inside El Morro

In contrast to castles like the Tower of London or Culzean Castle in Scotland, El Morro isn’t outfitted with opulent dining rooms or extravagant bed chambers. Rather, it is a mostly abandoned—yet intact—fortress standing imposingly tall, its limestone and sandstone walls stained shades of grey due to the ravages of time. Visitors walk through the wide open structure to learn about the history of the castillo (you can elect to do a self-guided audio tour, if you want), view artifacts like original canons in their batteries, and enjoy views of the sea from the fortress’s commanding outer wall, the sea breeze providing a refreshing respite from the relative heat and humidity.

Following our visit to the castillo, we made our way to the nearby Cementerio Santa Maria Magdelena de Pazzi. It’s a relatively new cemetery in the grand scheme of things, dating back to 1863, and it’s entrance is guarded by a grand, gated archway painted white and gold. The cemetery closes at 3pm every day, so we didn’t get to walk inside. However, through the gates and from atop the hill as we headed east towards our next destination, we were still able to view the extravagant above-ground tombs and grandiose memorials constructed in elegant marble.

Very near to the cemetery is a street called Calle Norzagaray, where we viewed some colorful street art: black and brown fists raised to the sky, one holding an LGBTQ pride flag and another a sign that declared in all caps, “NUESTRA TIERRA NO SE VENDE,” or “Our land is not for sale.” There were other parts of the street inscribed with the message, “Gringo leave or you will never know peace.” The emotions of the art were raw, and it highlighted the complex relationship between the U.S. and Puerto Rico. I’ll be writing more about this for my post for día seis when we went to a coffee plantation museum and día diez when we had an enlightening and spirited chat with a bartender, so if at the moment it feels like I’m short-changing the value of this topic, please come back for my later posts.

Street art on Calle Norzagaray

Our next destination was Museo Casa Blanca—originally built in 1521 as the main residence for San Juan’s first governor, Juan Ponce de León—but that, too, had closed by the time we arrived, so we were only able to view it from a distance through the locked, wrought iron gates. We instead happened to stumble across the nearby Catedral Basilica Menor de San Juan Bautista, the oldest cathedral on U.S. soil and the second oldest cathedral in the Americas (the oldest being Cathedral of Santa María la Menor in the Dominican Republic).

I do love viewing old churches even though I’ve long since stopped practicing any such religious activity over two decades ago. The cathedral is relatively modest in size when compared to, say, Westminster Abbey in London or Saint Patrick’s Cathedral in New York City, but that doesn’t distract from the age and history of this cathedral. Its facade is humble—a no-frills neoclassical design of unassuming arches and simple pillars painted in shades of creams and whites. On the inside, the neoclassic design continues with the same color palette except with additional golden ornamentations painted in the arches and domes, and the floor is tiled with large black and white squares angled like diamonds. There are also several chapels to view on the inside as well as the burial site of Juan Ponce de León himself.

Our walk through the streets of San Juan continued as we tried to find a hotel that has most likely long since disappeared, Old San Juan Hotel, on the suggestion of our friend Carol who had been to San Juan some years ago and who recommended we check it out. While we aren’t entirely positive we actually found the building that originally housed the establishment, we still got to enjoy more of San Juan’s beautiful old world architecture in addition to a tiny little stone chapel called Capilla del Santo Cristo de la Salud, built between 1753 and 1780. It’s a one-room chapel open to the air, protected only by wrought iron gates. It was built on the site of a miracle (apparently) where a man called Baltazar Montanez lost control of his horse, both plunging over the cliff face. Spanish Secretary of Government Don Mateo Pratts witnessed this and cried out, “Christ of Good Health, save him!” I’m not sure why he didn’t ask his god to save both lives, as the prayer was answered quite literally: the horse perished and the man didn’t.

San Juan begins to light up as the sun sets.*

The sun was beginning to set, so we decided to enjoy some cocktails before our dinner. Near the chapel we found a bar/restaurant called Tetuan Old San Juan (stylized as T•tuan), and while the drinks were enjoyably fruity, it was at this point where we started to notice that lots of cocktails in Puerto Rico tended towards the sugary side of the spectrum (which is fun), but also a tad bit much, even for this sweet tooth who’s known to eat three slices of cake in one sitting. That said, it’s still been incredibly enjoyable trying out rum cocktails made with guava and passion fruit, which is perfect for a long day walking around an old city baked in the tropical sun.

We last made our way outside of Viejo San Juan to a restaurant called La Casita Blanca, for a dinner of authentic Puerto Rican food. I highly recommend exploring San Jaun outside the touristy hub of Viejo San Juan, as the contrast in the neighborhoods couldn’t have been more apparent: the buildings were less manicured and less colorful (this isn’t a bad thing) and Spanish dominated as we passed by others on the streets.

Traditional Puerto Rican food at La Casita Blanca*

The restaurant itself was invitingly friendly, relaxed, and casual. Menus were brought to us on large chalkboards propped up by our table. We had to get out our phones to translate some of the dishes, but that’s part of the fun. Also make sure to only order what you see on the menu, as I asked for a mojito (which wasn’t on the menu), and the waiter badgered me that I can have a mojito if I sing a song! So, we all opted for what was on the menu: sangrias. For our meals, we all enjoyed various stewed meats with beans and rice, but I was particularly envious of Aaron’s dish where the meat was stuffed in a lusciously giant avocado. Seriously, the avocados here are so, so huge—larger than most people’s fists.

As we ruminated over our day’s adventures, it became apparent that we loved San Juan more than we had initially envisioned we would. We had very deliberately chosen to stay in Jayuya, a remote part of the island tucked away in the mountains away from all the loud tourists, but San Juan captured our hearts so immediately and so thoroughly and so powerfully that we knew we had to come back again and again and again.

Before that was to happen, however, we had planned for our following day to be much more quiet as we decided to remain in the sleepy mountains of Jayuya…

Spanish lesson for the day:

  1. The Duolingo app will teach you that the word for orange (the fruit) is una naranja. However, in Puerto Rico, they seem to call the fruit una china.
  2. Continuing on the food theme, you’ll want to know that beer is cerveza and wine is vino. If you want white wine you’ll request, “Quiero un vino blanco,” while red wine would be, “Quiero un vino tinto.” Tinto can be translated as dyed or stained (in addition to red), but if you want to refer to the color red on its own, you’d say rojo. But you’d never refer to red wine as vino rojo.
  3. To say you’re hungry, you’ll say, “Tengo hambre,” which translates literally as, “I have hunger.” If you are thirsty, you’ll say, “Tengo sed.” If you want to speak for the group to say, “We’re hungry,” you’ll say, “Tenemos hambre,” and “Tenemos sed.”
  4. Lastly, the meals (breakfast, lunch, dinner) are desayuno, almuerzo, y ceda. It’s actually handy to know these words because some food establishments may only serve desayuno y almuerzo pero no ceda.

Travel tips, day five:

  1. Dining out in Puerto Rico will progress at a slower pace than people who live in any U.S. state might be used to (Europeans, on the other hand, might feel like it’s still too fast). So, don’t feel like you’re inconveniencing the server (camarero/camarera) by flagging them down if you need something. Also don’t feel awkward when you have to ask for the check (“La cuenta, por favor”), as el camarero or la camarera is expecting that.
  2. Puerto Ricans tend to prefer to back into parking spaces that are perpendicular to the flow of traffic. In fact, sometimes parking attendants will ask that you park this way as well, so you might as well just start getting into the habit of backing into your parking spot. I’ve noticed that at grocery stores parking lots, however, people tend to park with the front of the car entering first, however.
  3. Lastly, while in general you’ll have one server during your dining experience, I’ve noticed that sometimes you may be in the hands of two or even three additional staff who will be able to help you as well as they bring your food or if you ask for the check.

*These photos by Amy Danielson. All others by me.